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481 A CHINESE BLUE AND WHITE INCENSE BURNER KANGXI 1662-1722 The compressed circular body painted with fu lu shou characters divided by stylised lotus, the rim with Buddhist emblems, a paper label for Christie’s, London, 21st January, 1999, lot 266, 24.5cm. £2,000-3,000 Provenance: from a British private collection, formed 1970-2003. 清康熙 青花福祿壽香爐 來源：英國私人收藏，購於1970-2003年。 482 A CHINESE BLUE AND WHITE INCENSE BURNER KANGXI 1662-1772 The compressed circular body painted with four large wheel-like roundels divided by stylised leaves, the flared rim with a border of auspicious emblems divided by cloud scrolls, 24.5cm. £3,000-5,000 清康熙 青花花卉紋香爐 100 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

483 A CHINESE BLUE AND WHITE CYLINDRICAL BRUSHPOT, BITONG KANGXI 1662-1722 Painted with a continuous mountain river landscape scene with small figures in huts, sitting on rocks and with a single figure in a sampan, the top of the rim with a groove, the unglazed base with three bracket-shaped feet, together with a wood stand, 18.7cm. (2) £10,000-20,000 清康熙 青花山水人物圖三足筆筒 101

484 485 A CHINESE IMPERIAL BLUE AND WHITE PALACE BOWL A CHINESE BLUE AND WHITE SAUCER DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 18TH CENTURY With a gently flared rim, painted to the exterior with six lotus flowerheads on Delicately painted with a biting insect hovering above a large flowering peony a continuous scrolling foliage branch, above a band of lappets, the well with a bush with ornamental rocks and bamboo, a paper label for R\&G McPherson single lotus flowerhead medallion enclosed within a double ring, a paper label Antiques, 20.5cm. for R\&G McPherson Antiques,16cm. £800-1,200 £1,000-2,000 Provenance: from the collection of David Stopher, Kent, purchased from Provenance: from the collection of David Stopher, Kent, purchased from R\&G McPherson Antiques, London. R\&G McPherson Antiques, London. 十八世紀 青花竹報富貴福壽紋碟 Cf. The National Palace Museum, Taiwan, Blue and White Wares of the Ch’ing 來源：坎特郡David Stopher收藏，購於倫敦 R\&G McPherson Antiques。 Dynasty, Book 1, pl.12, and also Marchant, Exhibition of Kangxi Underglaze Blue and Copper-Red, 2016, pp.44\&45 for similar bowls. 清康熙 青花纏枝蓮紋碗 《大清康熙年製》青花楷書款 來源：坎特郡David Stopher收藏， 倫敦 R\&G McPherson Antiques。 102 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

486 487 A CHINESE BLUE AND WHITE OVOID JAR A GOOD CHINESE BLUE AND WHITE SLEEVE VASE TRANSITIONAL PERIOD C.1640 TRANSITIONAL PERIOD C.1640 The body finely painted with a waterfall flanked by a boy riding a water The body is brightly painted in an intense underglaze blue with vases and buffalo and a small dog, the reverse with a leafy tree, below an anhua band of flower pots issuing an abundance of flowers including peony and lotus chevrons, 16cm. blossoms, between them is a small table on which stands a bowl of fruit and a vase of magnolia, above them all, a bird chases a small winged insect, the £3,000-5,000 neck and foot are finely incised with anhua bands, 43cm. 明末清初 青花牧童短笛罐 £6,000-8,000 明末清初 青花花卉紋筒瓶 103

488 A CHINESE FAMILLE ROSE ‘BUTTERFLY AND PRUNUS’ BOTTLE VASE 19TH CENTURY Brightly enamelled with colourful butterflies amongst sprigs of prunus blossoms between decorative borders and lappets to the base and the rim, the shoulder with an iron-red band of stylised lotus heads, divided by bats and shou characters, set against scrolling leafy tendrils, the turquoise base with a six character Kangxi mark within a double circle, 51cm. £6,000-10,000 清十九世紀 粉彩蝶戀花紋天球瓶 《大清康熙年製》仿款 104 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

489 A CHINESE FAMILLE ROSE RECTANGULAR PANEL QIANLONG/JIAQING Decorated with a mountainous river landscape scene, with trees growing amidst rocky peaks, and a waterfall splashing into a swirling river, in the foreground small figures approach a palace complex, together with a wood stand, forming a table screen, the panel 38.5cm x 29cm, 49cm overall. (2) £2,000-3,000 Provenance: a private London collection, acquired no later than the 1990s. 清乾隆/嘉慶 粉彩山水插屏 來源：英國倫敦私珍藏，1990年前購入。 105

490 A LARGE CHINESE FAMILLE ROSE JARDINIERE GUANGXU 1875-1908 Delicately enamelled with two colourful pheasants, one standing on blue rockwork, the other perched in a flowering prunus tree, with large peony blooms and leaves growing from the rocks, all between borders of linked rings, ruyi-heads and lappets, 52cm. £20,000-30,000 Provenance: purchased from Sotheby’s, New York, 24th June 2020, lot 969. 清光緒 粉彩錦堂富貴紋花盆 來源：購於紐約蘇富比2020年6月24日·編號969。 106 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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491 A LARGE CHINESE BLUE AND WHITE HU-SHAPED VASE 19TH CENTURY The ovoid body applied with lion mask and moulded ring handles to the shoulder, decorated with stylised geometric lotus scrolls, the flowerheads with central shou characters, a six character Qianlong seal mark, together with a wood stand, 50.5cm. (2) £5,000-8,000 Provenance: the collection of Monsieur Jacques Millett, 1923-84, and thence by descent. Monsieur Jacques Millett was an avid collector of Chinese art, Antiquities, and African art, buying in the 1960s and 1970s. 清十九世紀 青花纏枝花卉紋雙鋪首銜環耳壺 《大清乾隆年製》仿款 來源: Monsieur Jacques Millett (1923-84) 私人收藏，之後由其後人繼承。Monsieur Jacques Millett是熱愛中國藝術、古董和非洲藝術的收藏家，其藏品購於1960至 1970年代。 Monsieur Jacques Millett, 1923-84 108 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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492 A MASSIVE CHINESE BLUE AND WHITE JARDINIERE QING DYNASTY The exterior boldly decorated with a wide band of four large stylised lotus flowers on an undulating stem, issuing further scrolling foliage all between ruyi-heads and lappets, the rim with a band of square scrolls, 66cm. £4,000-6,000 清 青花纏枝蓮紋大花盆 110 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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493 494 A CHINESE LONGQUAN CELADON PETAL-SHAPED DISH A CHINESE LONGQUAN CELADON VASE EARLY MING DYNASTY PROBABLY SONG DYNASTY The centre decorated with an impressed design of flowers and foliage, The compressed circular body with a tall tapering neck and a slightly everted within a wide band of flutes and a barbed rim, 34.5cm. rim, raised on a straight foot, covered overall with an even glaze of a sea-green tone, 23.8cm. £2,000-3,000 £5,000-8,000 Provenance: from an English private collection, Hampshire. Cf. The Complete Collection of Treasures of The Palace Museum, Porcelain of the Cf. R Krahl and J Ayers Chinese Ceramics in the Topkapi Saray Museum, Istanbul, Song Dynasty (II), no.99 for a Longquan vase of a related shape. A Complete Catalogue 1, Yuan and Ming Dynasty Celadon Wares, pp.356-357 for related dishes. 宋（可能） 青釉長頸瓶 明早期 龍泉窰刻花卉紋蓮瓣式盤 來源: 英國漢普郡私人收藏。 112 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

495 A LARGE CHINESE POTTERY MODEL OF A HORSE TANG DYNASTY The horse depicted standing proudly on three legs as it raises its front right leg dramatically, with its mouth agape and nostrils flaring, its strong body defined with its muscles, with traces of black and red pigment to the surface, 80cm. £6,000-8,000 Together with a copy of the Oxford Authentication Thermoluminescence Analysis Report, sample no.C101a57, dated 21st January 2001. Provenance: from a deceased estate, Hampshire, purchased from E \& J Frankel Ltd, New York, on 18th April 2001. A copy of the invoice is available. 唐 馬俑 來源：英國漢普郡遺產，2001年4月18日購於紐約E\&J Frankel Ltd（附發票複印件）。 附：紀年測試證書。 113

496 497 A SMALL CHINESE IRON-SPOT EWER A RARE CHINESE CIZHOU STEM CUP YUAN DYNASTY YUAN DYNASTY The body formed as a bottle gourd, applied with loop handles and a long The shallow bowl with a flat everted rim, decorated to the exterior with tapering spout, the bluish glaze decorated with irregular brown spots, a wide iron-brown band between line borders, raised on a tall, flared 11.2cm. cylindrical stem with two ribs, covered with a creamy buff-coloured glaze stopping short of the foot, 9.8cm. £1,200-1,800 £4,000-6,000 元 釉裡紅彩斑小壺 Provenance: privately purchased in 1996, London. Cf. Christie’s London, 12th March 2014, lot 555, for a related stem cup from the Plesch Collection. 元 磁州窯高足杯 來源：1996年購於倫敦。 114 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

498 A CHINESE LONGQUAN CELADON ‘MARRIAGE’ DISH YUAN DYNASTY The centre crisply moulded with two swimming carp, the exterior carved with lotus petals beneath a flat rim, all beneath a lustrous even grey-green glaze, 21.8cm. £4,000-6,000 元 龍泉青釉雙魚紋洗 115

499 500 A SMALL CHINESE LONGQUAN CELADON TRIPOD THREE SMALL CHINESE MONOCHROME GLAZED VASES INCENSE BURNER 18TH CENTURY SONG DYNASTY One a tall baluster vase decorated with a red and violet flambé glaze, The compressed circular body with an everted flattened rim moulded with the other two vases decorated with a turquoise glaze, 17.6cm. (3) three vertical ribs, which extend into the tapering feet, all coated with an even pale celadon green glaze, 10cm. £3,000-4,000 £5,000-8,000 十八世紀 單色釉瓶 一組三件 Provenance: formerly a French private collection. 宋 龍泉青釉鬲式三足爐 來源: 法國私人舊藏。 116 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

501 502 A SET OF FOUR CHINESE LONGQUAN CELADON BIRD FEEDERS A CHINESE FLAMBE GLAZED BIANHU SONG DYNASTY SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 Each with a pear-shaped body and wide flared rim, applied with a small With hollowed cylindrical lugs to the neck, and peach-shaped panels cylindrical loop to the side, 5.6cm. (4) moulded to the body, decorated with an overall streaked lavender glaze, 22.6cm. £3,000-4,000 £1,000-2,000 宋 龍泉青釉鳥食罐一組四件 清乾隆 窰變釉貫耳扁壺 《大清乾隆年製》刻款 117

503 504 A PAIR OF SMALL CHINESE TURQUOISE AND AUBERGINE A CHINESE TURQUOISE GLAZED NIGHT LIGHT GLAZED BALUSTER VASES KANGXI 1662-1722 KANGXI 1662-1722 Modelled as a cat, the rotund feline lies with its head resting on its front Each moulded with three panels of flowers divided by bats, the necks with paws and its small ears pricked up, with pierced eyes and a further quatrefoil cloud scrolls, 13.3cm and 13cm. (2) aperture to its back, decorated to the exterior and interior with a delicate turquoise glaze, 17.2cm. £1,500-2,500 £3,000-4,000 清康熙 孔雀藍釉花卉紋罐 一對 Provenance: from a private European collection. Cf. Sotheby’s, London, 27th November 1990, lot 163 for a similar example. 清康熙 孔雀藍釉貓形燈 118 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

505 A LARGE CHINESE FLAMBE GLAZED BOTTLE VASE 18TH CENTURY With an ovoid body and a tall tapering cylindrical neck, raised on a flared foot, decorated overall with a lustrous purple glaze with pale lavender-blue streaks which drain from the rim, the base unglazed, 52.5cm. £10,000-20,000 Provenance: from the collection of Wing Commander Hilton, London, and thence by desent; by repute purchased at Sotheby’s in the 1950s or 1960s. 清十八世紀 窯變釉長頸瓶 來源：英國空軍中校 Hilton 倫敦私人收藏，1950至1960年代購於蘇富比（傳）。 119

506 507 A CHINESE FLAMBE MALLET VASE TWO CHINESE GE-TYPE VASES AND A TRIPOD INCENSE BURNER 18TH/19TH CENTURY 18TH CENTURY With a tall neck and bell-shaped body, decorated with copper-red to the One vase with moulded elephant handles, the other with an ovoid body, shoulder and base over a ge-type glaze, 35.5cm. the incense burner with loop-side handles, all decorated with a crackle-glaze, 18cm max. (3) £3,000-5,000 £3,000-4,000 十八/十九世紀 窯變釉長頸瓶 十八世紀 仿哥窯瓶及香爐 一組三件 120 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

508 A RARE CHINESE FLAMBE GLAZED ‘THREE RAMS’ VASE, SANXIZUN SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The globular body with a tall waisted neck and a slightly flaring foot decorated to the shoulder with three moulded rams’ heads, covered overall with a lustrous purple glaze with pale lavender-blue streaks, the base with the mark incised beneath a mottled grey-brown glaze, 34cm. £8,000-12,000 Vases of this form were introduced in the Yongzheng period and are also decorated in tea-dust, Ru and guan-type glazes. See the Illustrated Catalogue of Ch’ing Dynasty Porcelain in the National Palace Museum, K’ang-hsi Ware and Yung-Cheng Ware, Pl.129, for two Ru-type examples. See also Sotheby’s, Hong Kong, 11th July 2020, lot 116 for a fine tea-dust example from the collection of Sen Shou Tey. The ram in China is a traditional emblem of good luck, as the Chinese term for ram, ‘yang’, is a homophone of ‘yang’, sun. It represents the male or positive principle in the yin-yang duality. The Chinese character for ram is also used as a variant of a similar character pronounced xiang, which means happiness. Three rams, san yang, are considered a particularly auspicious symbol invoking the expression san yang kai tai, the awakening of nature in spring, which signifies good luck and happiness. 清乾隆 窰變釉三犧尊 《大清乾隆年製》篆書刻款 121

509 510 A GOOD PAIR OF CHINESE BLUE AND WHITE ‘THREE FRIENDS A CHINESE CELADON ‘CHRYSANTHEMUM’ BOWL OF WINTER’ BOWLS YONGZHENG 1723-35 KANGXI 1662-1722 The shallow flared bell-shaped bowl incised to the exterior with five Each painted with pine, prunus and bamboo, the interiors with prunus and chrysanthemum heads joined by scrolling leafing tendrils above bands rockwork, the flared rims repeating the design, six character Chenghua marks, of lappets and formal scrolls to the foot, 28cm. 16.1cm. (2) £1,000-1,200 £1,000-2,000 Provenance: from the collection of David Stopher, Kent, purchased from Christie’s, Provenance: from the collection of Frances L Dickson. London, 7th October 1968, lot 28. 清康熙 青花歲寒三友紋碗一對 清雍正 粉青釉刻花菊纹碗 《大明成化年製》仿款 來源:坎特郡David Stopher收藏，購於倫敦佳士得1968年10月7 日·編號28。 122 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

511 A RARE CHINESE FAMILLE ROSE ‘LONGEVITY’ VASE YONGZHENG 1723-35 The cylindrical body painted with roundels containing shou characters and stylised cranes on a pink and blue diaper ground divided by ruyi-head bands, with floral and geometric bands to the foot, shoulder and rim, with dragons and lotus flowerheads to the neck against a blue and white ground of scrolling branches, 40.3cm. £8,000-12,000 The use of the crane together with the shou characters represents longevity and immortality. The crane is the symbol of immortality because its white feathers represent old age, and the ancient Chinese believed that it could live for 1000 years or more. The crane is also a symbol of high rank and represents the first rank for Chinese civil officials. The shou character is itself a symbol of longevity. It can be written in many ways, and calligraphy consisting of one hundred shou characters in different styles is often used as a birthday present for an older person. The decoration to the neck closely follows the painting on a vase from the Alfred Morrison collection, cf. Christie’s, November 9th, 2004, lot 11, linking the present vase to the Yuanmingyuan, or the Old Summer Palace, and also the article ‘Who Collects Yuanmingyuan?’, which discusses the Fonthill Heirlooms. 清雍正 粉彩開光錦地鶴壽延年紋瓶 123

512 513 A CHINESE FAMILLE VERTE ‘SIXTEEN SONS’ OVOID VASE A CHINESE FAMILLE ROSE ‘BOYS’ JAR AND COVER KANGXI 1662-1722 QIANLONG/JIAQING Painted in coloured enamels with a joyful scene of four concubines and The ovoid body brightly enamelled with many boys including one riding a sixteen boys at play in a garden, the base with a paper label for Sydney qilin and holding a sheng, others with halberds and carring osmanthus and L Moss Ltd, together with a wood stand and reticulated cover, 20.6cm. (3) lotus, all between underglazed blue and gilt borders of ruyi-heads, together with a wood stand, paper labels for Christie’s, London, 12th November 1998, £4,000-6,000 lot 545, 22cm. (3) Provenance: formerly from an English private collection, Wiltshire, purchased from £2,000-3,000 Sydney L Moss Ltd on 5th December 1968. A copy of the invoice is available. Provenance: from a British private collection, formed 1970-2003. This subject is derived from the Shang dynasty story of Jiang Ziya, the senior military counsellor who famously appointed sixteen good generals. 清乾隆/嘉慶 粉彩嬰戲圖罐 來源：英國私人收藏，1970-2003年。 清康熙 五彩仕女童子圖罐 來源：英國威爾特郡私人舊藏，1968年12月5日購於Sydney L Moss Ltd（附發票複印件）。 Sydney L Moss Ltd invoice, 5th December 1968 124 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

514 515 A RARE CHINESE FAMILLE ROSE TURQUOISE-GROUND TRIPOD A CHINESE FAMILLE ROSE ‘DRAGON’ BASIN INCENSE BURNER 19TH CENTURY QIANLONG, DATED 1786 The centre painted with two iron-red sinuous and scaly five-clawed dragons The circular body painted with the Bajixiang and applied with tall upright contesting a flaming pearl, encircled by a wide band of the Bajixiang, the curved handles, the rim inscribed, Qianlong wushi nian Mu Ke Deng gongzhi, flattened rim with a repeating design of peaches, bats, swastikas, and shou the base marked Shu De Tang zhi, 28.5cm. characters on a yellow ground; all edged with iron-red bats and clouds scrolls, a paper label for Christie’s, London, 4th March 1999, lot 289, 38.5cm. £2,000-3,000 £5,000-8,000 Provenance: from a private collection, London, by repute purchased in 1984. Provenance: from a British private collection, formed 1970-2003. 清乾隆 孔雀綠地八吉祥紋三足爐 《乾隆五十年穆克登恭製》 十九世紀 粉彩趕珠龍紋大盤 《述德堂製》礬紅楷書款 來源：倫敦私人收藏，於1984年購入（傳）。 來源：英國私人收藏，購於1970-2003年 （附標籤）。 125

516 517 A CHINESE FAMILLE ROSE ‘SCHOLARS’ VASE A CHINESE FAMILLE ROSE ‘BIRDS AND FLOWERS’ BOWL REPUBLIC PERIOD REPUBLIC PERIOD Painted with a group of scholars playing go beneath bamboo, the reverse Painted with two birds perched in a flowering peony tree, the base with a with a poem about go, a four character Ju Ren tang mark, 23.5cm. four character Xian Shi zhen pin, 17cm. £500-800 £1,000-1,200 Provenance: from the collection of David Stopher, Kent. Provenance: from the collection of David Stopher, Kent, purchased from Bonhams, London, 5th November 2007, lot 111. 民國 粉彩高士圖瓶 《居仁堂製》 民國 粉彩花鳥紋碗 來源：坎特郡David Stopher收藏。 《先施珍品》 來源：坎特郡David Stopher收藏，購於倫敦邦瀚斯 2007年11月5日·編號111。 126 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

518 519 A CHINESE FAMILLE ROSE ‘IMMORTALS’ VASE A CHINESE FAMILLE ROSE ‘FLOWERS’ VASE LATE QING DYNASTY/REPUBLIC PERIOD REPUBLIC PERIOD Painted with four Immortals with various attributes with their attendants all The baluster body delicately painted with peony and a bottle gourd vine beneath a pine tree, a four character Qianlong mark, 55cm. entwined around bamboo stems, a six character Guangxu mark, 23cm. £1,500-2,000 £500-800 Provenance: a British private collection, formed 1970-2003, acquired Christie’s, Provenance: from the collection of David Stopher, Kent. London, 2nd April 1998, lot 594. 民國 粉彩竹報富貴福壽紋瓶 清晚期/民國 粉彩人物故事紋瓶 《大清光緒年製》礬紅楷書款 《乾隆年製》仿款 來源：坎特郡David Stopher收藏。 來源：英國私人收藏，購於1970-2003年。 127

520 A CHINESE BLUE AND WHITE ‘LION DOGS’ BOTTLE VASE QING DYNASTY The ovoid body painted with two Buddhist lion dogs contesting a brocade ball, the slender neck with a chilong, together with a wood stand, 45.5cm. (2) £1,000-2,000 Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s. 清 青花獅子繡球紋長頸瓶 來源：英國西約克郡私人收藏，購於1970-80年代。 128 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

521 A CHINESE BLUE SGRAFFITO-GROUND BALUSTER VASE AND COVER REPUBLIC PERIOD The body decorated with four large circular panels depicting mountainous landscapes with small buildings and figures, the neck pierced with a band of gilded linked rings, the blue ground finely incised with scrolls and decorated with stylised lotus flowerheads and scrolling leaves above a band of yellow lappets, the conical cover with a gilded knop, the base with a six character Qianlong mark in iron-red, 29cm. (2) £5,000-8,000 Provenance: by repute purchased from Christie’s London,11th May 1987. 民國 藍地軋道開光山水紋將軍罐 《大清乾隆年製》礬紅楷書仿款 來源：購於倫敦佳士得1987年5月11日（傳）。 129

522 523 A PAIR OF CHINESE ‘ WU FU’ BOWLS A CHINESE PALE BLUE SGRAFFITO-GROUND BOWL AND COVER SIX CHARACTER GUANGXU MARKS AND OF THE PERIOD LATE QING/ REPUBLIC PERIOD 1875-1908 The bowl and cover each painted with three landscape medallions in rose Each painted with four iron-red bats amidst blue clouds to the exterior, enamels on a ground finely incised with flowers and foliage, and with four the interiors with a fifth bat, 11cm. (2) character Yongzheng marks, 8.5cm. (2) £1,000-2,000 £800-1,200 Provenance: from an English private collection, West Yorkshire, purchased from 清晚期/民國 藍地軋道開光花卉紋蓋碗 Hugh Moss Limited, 26th October 1977, a copy of the invoice is available. 《雍正年製》藍料仿款 清光緒 青花礬紅洪福齊天萬 一對 《大清光緒年製》青花楷書款 來源：英國西約克郡私人收藏，1977年10月26日購於 Hugh Moss Limited（附發票複印件）。 Hugh Moss Ltd invoice, 26th October 1977 130 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

524 A FINE PAIR OF CHINESE FAMILLE ROSE ‘BITTER MELON’ BOWLS SIX CHARACTER JIAQING MARKS AND OF THE PERIOD 1796-1820 The gently flared bell-shaped bowls delicatedly enamelled to the exteriors with pink butterflies and fruiting, flowering bitter melon vines and bamboo, which extend over the rims to the interior, 10.8cm. (2) £20,000-30,000 Cf. The Palace Museum Beijing, for an identical example with a Jiaqing mark. 清嘉慶 粉彩過枝籟瓜瓜瓞綿綿碗 一對 《大清嘉慶年製》青花篆書款 131

525 TWO CHINESE IMPERIAL ‘DRAGON’ WINE CUPS SIX CHARACTER MARKS OF DAOGUANG AND XIANFENG AND OF THE PERIOD The former painted with two green scaly dragons, the latter with a pair of iron-red dragons in pursuit of flaming pearls, both above breaking waves and sea spray, later wood stands, 5.2cm \& 4.8cm high. (4) £2,000-3,000 Provenance: the collection of Monsieur Jacques Millett, 1923-84, and thence by descent. Monsieur Jacques Millett was an avid collector of Chinese art, Antiquities, and African art, buying in the 1960s and 1970s. Cf. S Marchant, Recent Acquisitions, 2008, pp.100-101, no.45, for a pair of identical Xianfeng cups formerly in the collection of Warren Stratford Trevors. In the catalogue, Marchant notes that ‘Imperial production during the Xianfeng reign occurred only for three years due to the Taiping rebellion.’ 清光緒及咸豐 礬紅及綠彩趕珠龍紋杯 《大清光緒年製》及《大清咸豐年製》款 來源: Monsieur Jacques Millett (1923-84) 私人收藏，之後由其後人繼 承。Monsieur Jacques Millett是熱愛中 國藝術、古董和非洲藝術的收藏家， 其藏品購於1960至1970年代。 132 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

526 A PAIR OF CHINESE FAMILLE ROSE MEDALLION DISHES SIX CHARACTER GUANGXU MARKS AND OF THE PERIOD 1875-1908 Each brightly enamelled with nineteen roundels containing flowers, fruits, birds and insects, and each with an additional gold shou character, 16.3cm. (2) £2,000-3,000 Cf. Christie’s New York, 15 December 2015, lot 31 for a pair of similar dishes. 清光緒 粉彩團花紋碟 一對 《大清光緒年製》礬紅楷書款 133

527 A FINE CHINESE IMPERIAL COPPER-RED GLAZED DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 The shallow rounded body covered with an even copper-red glaze stopping short of the white rim, a paper label for John Sparks Ltd., 16.2cm. £5,000-8,000 Provenance: an English private collection. Cf. Sotheby’s, London, 15th June 2020, lot 17, for a similar Kangxi copper-red glazed dish. 清康熙 紅釉盤 《大清乾隆年製》青花楷書款 來源：英國私人收藏， 附John Sparks Ltd.標籤。 134 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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528 A RARE CHINESE DOUCAI DOUBLE WATER POT AND COVER YONGZHENG 1723-35 Moulded in the form of a figure of eight, the cover delicately painted with two shou characters, which are encircled by five bats and with a narrow border of the Three Friends of Winter, pine, prunus and bamboo; the body with rounded sides, painted with four stylised, scrolling motifs between spearhead borders, together with a wood stand, 10cm. (3) £8,000-12,000 Provenance: purchased from Sotheby’s New York, 30th March 2006, part of lot 370. Cf. The British Museum, London, no.1947,0712.225, for another example bequeathed by Henry J Oppenheim, a prominent member of the Oriental Ceramic Society. 清雍正 鬥彩螭龍福壽紋帶蓋雙聯水盂 來源：購於蘇富比紐約, 2006年3月30日·編號370。 136 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

529 A PAIR OF CHINESE IMPERIAL YELLOW-GROUND MEDALLION ‘FLOWERS’ BOWLS SIX CHARACTER DAOGUANG MARKS AND OF THE PERIOD 1821-50 Each painted with four medallions containing chrysanthemum, dahlias and lingzhi, the sgraffito ground decorated with peaches and breaking waves, the interiors painted in underglaze blue with rocks, waves, flowers and funghi, 14.8cm. (2) £8,000-10,000 Provenance: an English private collection, Somerset. 清道光 黃地軋道開光花卉紋碗 一對 《大清道光年製》青花篆書款 來源：薩默賽特郡英國私人收藏。 137

530 A CHINESE DOUCAI ‘DRAGON AND PHOENIX’ DOUBLE GOURD VASE, HULUPING 19TH CENTURY The upper and lower body sections each brightly enamelled in polychrome and outlined in underglaze blue with a four-clawed dragon and a phoenix amidst peony flowers and leaves, the rim with a double line border, 28.7cm. £8,000-10,000 Provenance: an English private collection, Kent, in the same family collection since at least the 1960s. The technique of producing doucai wares was developed in the Chenghua period, 1426-35. Doucai wares continued to be appreciated for their understated elegance and for their association with Chenghua porcelain during the Qing dynasty and were especially favoured by the Yongzheng and Qianlong emperors. Cf. Sotheby’s, Hong Kong, 26th October 2003, lot 4, for a doucai double-gourd vase similarly painted with the dragon and phoenix design and for a doucai yuhuchunping also decorated with dragon and phoenix, see Sotheby’s, Hong Kong, 8th April 2007, lot 514. 十九世紀 鬥彩龍鳳呈祥紋葫蘆瓶 來源：英國坎特私人收藏，1960年代之前收藏。 138 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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531 A RARE CHINESE FAMILLE ROSE ‘LADIES AND SCHOLARS’ VASE YONGZHENG 1723-35 Thickly potted, one side delicately enamelled with an elegant lady and two boys among fine tables and antiques, their features finely outlined in iron-red and black, the scene filled in pastel colours, the reverse with a landscape scene of scholars in pavilions on a mountainous lake shore dotted with trees, the sides with flowering peonies and poppies and mounted with reticulated chilong handles, 44cm. £10,000-20,000 清雍正 粉彩仕女圖螭龍耳瓶 140 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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532 A CHINESE IMPERIAL IRON-RED ALTAR VASE QIANLONG 1736-95 The ovoid body painted with four lotus sprays between lappets and leaves, with a raised band to the tall cylindrical neck, all raised on a wide domed foot, the base concave, 22cm. £30,000-50,000 Provenance: purchased from Sotheby’s Hong Kong, 27th November 2020, part of lot 106. Cf. A similar altar vase can be seen in a painting by Giuseppe Castiglione in The National Palace Museum, Taipei, illustrating the Qianlong Emperor beneath trees and beside a table with a number of other treasures; see Palastmuseum Peking Schätze aus der Verbotenen Stadt, Berlin, 1985, no.41, pl.24. For another example presented to Cheltenham College, England, by Yuan Shikai in 1914, and now in the Weishaupt Collection, see G Avitabile, From The Dragon’s Treasure, London, 1987, no.176, p.127. See also P Lam, Qing Imperial Porcelain, Hong Kong, 1995, no.83. Another example can be found in the British Museum, London. 清乾隆 御製礬紅寶相花紋甘露瓶 來源：購於蘇富比香港, 2020年11月27日·編號106。 The Qianlong Emperor by Giuseppe Castiglione in The National Palace Museum, Taipei 142 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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533 A GOOD CHINESE FAMILLE ROSE BALUSTER VASE QIANLONG/JIAQING Painted with scenes of Magu and her attendants with spotty deer, one pulling a cart containing jars and a vase of peony, beside a large rocky outcrop, the neck and shoulder with cranes carrying lingzhi, together with an invoice from Malcolm Anderson, dated 19th December 1955, where the vase is dated to the ‘late Ch’ien Lung reign’, 54cm. £6,000-8,000 Provenance: from the collection of Mrs D S Astbury, purchased from Malcolm Anderson, Sussex, and thence by descent. A copy of the invoice is available. 清乾隆 粉彩麻姑獻壽瓶 來源: Mrs D S Astbury收藏，購於英國薩塞克斯郡 Malcolm Anderson古董店（附發票複印件）， 之後由其後人繼承。 Malcolm Anderson receipt, 19th December 1955 144 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

534 A GOOD CHINESE FAMILLE ROSE BOTTLE VASE, DANPING QING DYNASTY Delicately painted with a mother and her two children standing on a terrace beside a blossoming prunus growing from an elaborate lotus jardinière, watching two mandarin ducks, the reverse painted with a large pine tree and blue rocks, together with an invoice from Malcolm Anderson dated 9th November 1951, where the vase is dated to the 18th century, 44cm. £8,000-12,000 Provenance: from the collection of Mrs D S Astbury, purchased from Malcolm Anderson, Sussex, and thence by descent. A copy of the invoice is available. 清 粉彩教子圖膽瓶 來源: Mrs D S Astbury收藏，購於英國薩塞克斯郡 Malcolm Anderson古董店（附發票複印件），之後 由其後人繼承。 Malcolm Anderson receipt, 9th November 1951 145

LOTS 535-537 Nicolas De La Mare Thompson (1928-2010) NICOLAS DE LA MARE THOMPSON (1928-2010) Nicolas de la Mare Thompson was the grandson of the author Walter de la Mare; his brother was the highly respected Sotheby’s Chinese art expert, Julian Thompson, who was Chairman of Sotheby’s Asia from 1992 to 2003. He came from a family of collectors that included Richard de la Mare, one of the founding directors of Faber and Faber. The distinguished collector, Sir Michael Butler, was one of Nicolas’s oldest and closest friends. They both started collecting pots at an early age and throughout their lives, he, Julian and Nicolas would meet to compare and discuss their purchases. Nicolas bought what he loved, what he thought had merit, and not what was said to be good, he certainly did not buy anything because it was fashionable. He would react to an object sensing that it was right for his collection and above all because he loved the feel of it in his hands. Nicolas was a committee member of the Oriental Ceramics Society. He approached the Society in the same way as he approached his understanding of Chinese ceramics, by stripping it down and starting again, using clear, empirical thinking. Nicolas thought it important that the Society should be run for the benefit of every member and was adamant that it should be open to all. Nicolas died on the 25th of April 2010 at the age of 82. He had many friends in the world of Oriental ceramics who loved his humour, kindness, knowledge, and his willingness to share his thoughts. Robert McPherson. Nicolas de la Mare Thompson (1928-2010) Nicolas 是著名作家 Walter de la Mare 的外孫， 他的弟弟Julian Thompson是備受尊敬的亞洲藝術品專家，曾於 1992-2003任職蘇富比亞洲藝術部主席。 Nicolas和Faber and Faber 出版社的創辦人之一Richard de la Mare，同樣來自愛好收藏的家族，而顯赫的收藏 家Michael Butler（巴特勒），亦是Nicolas多年的好友，三人在年輕時開始一起收藏瓷器，會不時一起共聚鑑 賞新的藏品。 獨具慧眼的Nicolas一向不受時代潮流所操縱，只會投資他喜歡的，有價值的藝術品。作為東方陶瓷學會的會 員，Nicolas在學會的辨事作風和他對鑽研陶瓷的態度如出一轍。處事一絲不苟，見解精闢，致力為東方陶瓷 學會平衡成員的利益和堅持對公眾開放學會。 Nicolas在2010年四月二十五日逝世，享年82歲。學問淵博，風趣幽默，廣結人緣的Nicolas在亞洲陶瓷學術界 備受愛戴。 535 A CHINESE BLUE AND WHITE BEAKER VASE TRANSITIONAL C.1640 The flared neck painted with a scene of a figure offering a tribute of a vase containing three halberds to an official who stands beneath a willow tree and is flanked by attendants holding fans, the central section has two further figures on a bridge in a mountainous landscape, above a band of pointed leaves to the flared foot, the different registers, rim and foot incised with anhua bands, the base incised with a cursive ‘1658’, 45cm. £10,000-15,000 Provenance: the collection of Nicolas de la Mare Thompson (1928-2010). The halberd was the weapon associated with Lu Bu, a warrior in the Yuan dynasty novel, the Romance of the Three Kingdoms. The ancient weapon symbolises rank in military achievement. During the Tang dynasty it was customary for official households of the third rank and above to post a halberd at their gate. The halberd is a pun for ‘rank’, it represents rapid promotion. 明末清初 青花平升三級紋花觚 來源：Nicolas de la Mare Thompson（1928-2010）收藏。Nicolas是朱湯生（1941-2011）的哥哥，朱湯生曾於 1992-2003任職蘇富比亞洲藝術部主席。 146 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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536 A LARGE CHINESE FAMILLE VERTE ‘LADIES’ DISH KANGXI 1662-1722 Decorated in bright enamels and gilding with three ladies seated at a table admiring a scroll painting of a mountainous landscape which one of the ladies has executed, to her side is a bundle of scrolls, and in the distance are green and blue mountain peaks hidden by swirling clouds, the base with an artemesia leaf mark in a double circle within a grooved foot rim, a paper label for Bluett, London, 34.3cm. £6,000-8,000 Provenance: the collection of Nicolas de la Mare Thompson (1928-2010). Purchased from Bluett’s, 3rd January 1973 for £570. Bluett’s acquired the dish from Harold Hartog on the 19th September 1972 for £425. Harold Hartog’s collection is now in the Hamburg Museum. With thanks to Dominic Jellinek for his assistance in cataloguing this lot. 清康熙 五彩仕女圖大盤 來源：Nicolas de la Mare Thompson（1928-2010）收藏，1973年1月3日以£570的價格購得。1972年9 月19日Bluett’s以£425的價格從Harold Hartog處購得。 Nicolas是朱湯生（1941-2011）的哥哥，朱湯生曾於1992-2003任職蘇富比亞洲藝術部主席。 注：以上信息由《來源》一書作者Dominic Jellinek提供。 148 See paragraphs 4 \& 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices