英国璀璨珠宝拍卖4月24/25日

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英国璀璨珠宝拍卖4月24/25日

635 A fine enamel, pearl and diamond pendant, circa 1900, designed as a dove in flight, applied with opalescent enamel, its eyes set with circular­cutrubies, holding a circular­cut diamond with its claws, its wings outlined with rose­cut diamonds, suspending a pearl pendant, to a platinum chain set withan additional pearl, dove wingspan 5.3cm, necklace length 42.5cm, stamped 18CT, pearls untested, one rose-cut diamond deficient £400­600636 An Edwardian ruby and diamond pendant, centring on a ste... [收起]
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英国璀璨珠宝拍卖4月24/25日
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威立士拍賣行創始于1884年,是英國著名的藝術品拍賣公司。多年來,威立士的拍品大部分來自于極富盛名的私人藏家及古董商的委托。
部分歷年高價成交精品:
·2005年以260萬英鎊的高價拍出了一件在亞歷山大收藏中發現的元青花葫蘆瓶。
·2009年春拍,又以340萬英鎊的成交價拍出了一尊碧玉雕水牛。
·2018年,中國字畫及油畫專場,楊飛雲于1988年在紐約參展的成名作《北方姑娘》以近170萬英鎊落錘,這是楊先生在海外市場的最好成績。
·2019年,再次刷新字畫紀錄,以264萬英鎊的高價拍出大呎幅張大千《超山尋梅圖》潑墨山水精品。
文本内容
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635 A fine enamel, pearl and diamond pendant, circa 1900, designed as a dove in flight, applied with opalescent enamel, its eyes set with circular­cut

rubies, holding a circular­cut diamond with its claws, its wings outlined with rose­cut diamonds, suspending a pearl pendant, to a platinum chain set with

an additional pearl, dove wingspan 5.3cm, necklace length 42.5cm, stamped 18CT, pearls untested, one rose-cut diamond deficient £400­600

636 An Edwardian ruby and diamond pendant, centring on a step­cut ruby within scrolling diamond surround and suspending an oval­shaped ruby in

platinum and gold, length 5.4cm £2,000­3,000

637 Edouard Aimé Arnould, a rare Art Deco chrysoberyl and ruby brooch, 1920s, of geometric design, set with a mixed­cut chrysoberyl weighing

approximately 5.00 carats, within a border of calibré­cut rubies, to a bar brooch, mounted in platinum, length 6cm, signed Arnould, French assay marks for

platinum, indistinct French maker’s marks, fitted case stamped Arnould £2,500­3,000

Accompanied by report no. CDC2310469 by C.Dunaigre, stating that the chrysoberyl is of Sri Lankan origin.

638 A ruby and diamond ring, mid 20th century, of crossover design, each bombé end pavé­set with brilliant­ and single­cut diamonds, one side clawset with an oval ruby, mounted in white gold, size E½ £800­1,200

639 A diamond pendant/brooch, in the Belle Époque style, the circular pendant of intricately pierced construction, set with brilliant­cut diamonds,

mounted in white gold, to a fine link chain in white gold, pendant length 4.4cm, chain length 45cm chain stamped 750 £800­1,200

640 An Edwardian spinel and diamond pendant, early 20th century, of heart­shaped design composed of foliate scroll work in platinum, set with circularcut diamonds and step­cut spinels, suspending a pear­shaped spinel, length 6.6cm £4,000­6,000

641 An Art Deco pearl and diamond ring, set with a pearl flanked with old circular­cut diamonds within pierced diamond­set surround, in platinum and

gold, size N £800­1,200

642 A Belle Époque diamond brooch, set with three articulated diamonds diamond drops with a diamond­set wreath surmounted by a diamond­set bow

in platinum, length 5.4cm £1,000­1,500

643 An amethyst and seed pearl pendant, early 20th century composite, the pendant composed of a circular­cut amethyst suspending an oval amethyst

from two seed pearl chains, set between four circular­cut diamonds in silver collet settings, within a border of half pearls, suspending a further oval amethyst

pendant, to a later fine gold chain, necklace length 37cm, pendant length 6.5cm, fitted case £2,500­3,500

644 An Art Nouveau diamond pendant/brooch, early 20th century, of abstract foliate design suspending an articulated lower section, set with circularand single­cut diamonds and a pearl measuring approximately 5mm, mounted in platinum and gold, to a later platinum chain, pendant length 5.2cm, chain

length 36cm, pearl untested £600­800

645 An attractive Belle Époque diamond ring, circa 1915, designed as a foliate cluster, centring on a circular­cut diamond weighing approximately 0.70 carats,

within a border of cushion­shaped diamonds and larger collet­set cushion­shaped diamonds at each corner, mounted in platinum, size Q £1,000­1,500

646 An Art Nouveau pearl and diamond pendant, circa 1900, of negligée design, set with circular­cut and cushion­shaped diamonds, suspending two

asymmetrical knife wire pendants terminating in a circular­cut diamond and a pearl respectively, to a fine link chain, mounted in gold and platinum, chain

length 40.5cm, pendant length 4.8cm, French import assay mark for platinum, pearl untested £1,600­2,000

647 A Belle Époque natural pearl and diamond brooch, early 20th century, of stylised foliate design topped by a ribbon bow, set with rose­cut and

cushion­shaped diamonds, and two natural pearls, length 6.1cm, French import assay marks for 18ct gold and platinum, detachable brooch fitting £800­1,200

Accompanied by GCS report no. 5776­5171, stating that the pearls measuring 5.7­5.8 x 5.4mm and 4.5­4.6 x 5.6mm are natural, saltwater.

648 A diamond ring, early 20th century, set with a sequence of five circular­cut diamonds totalling approximately 1.00 carat, mounted in gold, size P½

£300­500 TO BE SOLD WITHOUT RESERVE

649 A diamond ring, early 20th century, set with two circular­cut diamonds weighing approximately 1.28 and 0.54 carats, to a band set with circular­cut

and single­cut diamonds, size O £2,000­3,000

650 A platinum long guard chain, the small oval links set with seed pearls and separated with foliate links, total length 144cm, 28g £600­800

651 A pair of natural pearl and diamond earrings, early 20th century, each designed as a graduated line of millegrain­set circular­cut diamonds, suspending

a natural pearl drop capped in rose­cut diamonds, length 4cm each, later post fittings £1,000­2,000

Accompanied by GCS report no. 5775­2915, stating that the pearls measuring approximately 5.9­6.0mm and 5.9­6.3mm respectively, are natural, saltwater.

652 A diamond ring, early 20th century, set with a circular­cut diamond weighing approximately 0.25 carats, to a mount with pierced spiral decoration

set with single­cut diamonds, size R½ £600­800

653 A diamond and ruby ring, early 20th century, of cluster design, set with a circular­cut diamond weighing approximately 1.10 carats, within a floral

border of demi­lune rubies and circular­cut diamonds, mounted in gold and platinum, size O £3,000­4,000

654 A diamond three stone ring, set with three graduated circular­cut diamonds weighing approximately 1.05cts in total, set in platinum, size L £500­700

655 A ruby and diamond bracelet, early 20th century, composed of navette­shaped links centring on foliate motifs set with rose­cut diamonds and

circular­cut rubies, mounted in gold and platinum, length 17cm, French assay marks for 18ct gold and platinum £1,000­2,000

656 An emerald cabochon and diamond bracelet, set with a central sugarloaf emerald, within articulated diamond border in silver and gold circular

setting, on expanding gold bracelet, length 18cm £2,500­3,500

657 A sapphire and diamond bracelet, early 20th century, centring on an oval sapphire between sections of channel­set calibré­cut sapphires and singlecut diamonds, to a link bracelet, mounted in gold and platinum, length 18cm, indistinct assay mark, possibly Austrian early 20th century mixed metal import

assay mark £1,500­2,000

658 A sapphire and diamond bangle, early 20th century, centring on a line of five cabochon sapphires spaced by circular­cut diamonds, mounted in

gold, to a hinged gold bangle of knife edge design, inner circumference approximately 17cm, Russian assay marks for 14ct gold, St Peterburg marks, and maker’s

mark BK £1,000­2,000

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659 A late 19th century natural pearl and diamond brooch, centring on a drop­shaped pearl within a diamond

crescent and bow surround, set in silver and gold, later brooch fitting, length 3.8cm £500­700

A verbal report from GCS states that the pearl is natural saltwater.

660 A pearl and diamond necklace, early 20th century, designed as a double strand of graduated pearls measuring

3.2­7.5mm diameter, to a navette­shaped Art Deco clasp set to both sides with circular­cut diamonds, mounted in

platinum, length 57cm £1,000­1,500

A verbal report from GCS states that the majority of the pearls are cultured, and a minority of varying sizes are

natural, saltwater

661 A natural pearl necklace, designed as a single strand of graduated pearls measuring approximately 3.7­7.6mm

diameter, to a pearl clasp measuring 6.8 x 8.8mm, necklace length 50.1cm £1,500­2,000

Accompanied by report no. 24101 from The Gem and Pearl Laboratory, dated 31st December 2023, stating that

the pearls are natural, saltwater.

662 A natural pearl necklace, early 20th century, composed of a single row of graduated natural pearls, measuring

approximately 1.4­4.8mm diameter, to a clasp set with a seed pearl and rose­cut diamonds, mounted in gold, length

43cm £300­500

A verbal report from GCS states that the pearls are natural saltwater, with one beaded cultured pearl.

663 A pair of natural pearl and diamond earrings, each of pendent design, suspending a natural pearl within a

foliate mount set with rose­cut diamonds, accented with another smaller pearl pendant, length 5.2cm each

£12,000­15,000

Accompanied by GIA report number 1186772810, dated 16th October 2017, stating that the four white pearls

are natural, saltwater.

664 A pair of natural pearl and diamond drop earrings, set with articulated lines of cushion­shaped diamonds,

each suspending a pearl, mounted in silver and gold, length 3.8cm £3,000­4,000

Accompanied by GCS report no. 5784­1622, dated 21st February 2024, stating that the two cream drop pearls

measuring approximately 7.2 x 6.6 x 9.5mm and 8.1 x 7.6 x 9.6mm are natural, saltwater.

665 A natural pearl and diamond ring, early 20th century, of foliate design, set with a natural pearl measuring

approximately 9.6­9.9 x 8.4mm, accented with rose­cut diamonds, mounted in gold, size L, case £3,000­4,000

Accompanied by report no. 23079 from the Gem & Pearl Laboratory, stating that the pearl is natural, saltwater.

666 A natural pearl and diamond pendant, 18th century, designed as a ribbon bow suspending a foliate drop,

set with rose­cut diamonds and a drop­shaped drilled pearl measuring approximately 16.0 x 11.2 x 9.2mm, mounted

in silver, total length 7.5cm, later pendant hoop set with pastes £800­1,200

Accompanied by GCS report no. 5784­0616, stating that the pearl is natural, saltwater.

667 A pearl and diamond brooch, late 19th century, centring on a pearl measuring approximately 8.0 x 8.8 x

7.6mm, to a mount of scrolled design set with cushion­shaped and rose­cut diamonds, mounted in gold and silver,

length 5.1cm, pearl untested £1,000­2,000

668 A pair of natural pearl and diamond earrings, each of foliate drop design, suspending a natural pearl within

a frame of single­ and rose­cut diamonds, mounted in gold and platinum, length 4cm each, post fittings

£5,500­7,500

Accompanied by GCS report no. 5776­5788, stating that the pearls measuring 7.6­7.7 x 9.2mm and 7.4­7.6 x

9.3mm are natural, saltwater.

669 A pair of natural pearl and diamond earrings, each of pendent design, composed of foliate links set with

single­cut and baguette diamonds, suspending a natural pearl, mounted in platinum, length 5.1cm, hook fittings

£5,000­7,000

Accompanied by report no. 11722 from the Gem and Pearl Laboratory, stating that the pearls measuring

approximately 8.1­9.5 x 11­13mm and 9.5­9.8mm x 12­13mm respectively are natural, saltwater.

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670 A ruby and diamond cluster ring, the star ruby cabochon set within a surround of circular­cut diamonds in

18ct yellow gold, size N £400­600

671 A diamond ring, claw­set with a brilliant­cut diamond weighing approximately 1.90 carats, mounted in gold,

size, V½, British hallmarks for 18ct gold £1,200­1,500

672 A sapphire and diamond necklace, the pendant pavé­set with brilliant­cut diamonds and channel­set with a

line of baguette and triangular diamonds, suspending a cabochon sapphire measuring approximately 11.7 x 9.7 x

7.9mm, to a gold curb link chain necklace, pendant length 4.7cm, necklace length 43cm, signed ‘European Jewellery’,

stamped 18K and 750, Italian maker’s mark £5,000­7,000

673 A gold and diamond bangle, of twisted design, pavé­set with graduated round brilliant­cut diamonds in 18ct

yellow gold, hinged opening, internal width 5.1cm, 56g £2,500­3,000

674 A diamond necklace, composed of briolette diamonds of brown tint totalling approximately 40.00 carats,

mounted in gold, length 70cm £6,000­8,000

675 A pink and colourless diamond ring, the pink diamond weighing approximately 0.30cts, within shoulders set

with four circular­cut diamonds weighing approximately 0.60cts (total) in platinum, size P £3,000­5,000

Accompanied by report number 5784­1795 for GCS dated March 2024 stating that the diamond is natural, Fancy

Purplish Pink, VS1/VS2.

676 A sapphire ring, claw­set with a cushion­shaped sapphire weighing approximately 1.40 carats, to a splitshouldered platinum mount, size L, French maker’s mark £800­1,200

677 A diamond solitaire ring, the round brilliant­cut diamond weighing approximately 1.90cts set within tapered

baguette­shaped shoulders in platinum and 18ct gold, London hallmarks for 1996, size M £1,500­2,500

678 An emerald and diamond cluster ring, the emerald­cut emerald weighing approximately 9.00cts, set within

a surround of circular­cut diamonds in 18ct yellow gold, size N £2,000­3,000

679 A zircon and diamond ring, the step­cut brown zircon set within tapered baguette­shaped diamond shoulders

in yellow gold, stamped 14k, size R £800­1,200

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680 Fabergé, a silver gilt cigarette case, circa 1900, of square outline, the lid with a design of interlocking laurel wreaths and ribbons

suspending tassels, the push piece set with a cabochon sapphire, opening to reveal a plain interior, measuring 8.0 x 8.0 x 1.7cm, signed

Fabergé, Imperial warrant stamp, Russian 87 zolotnik mark £1,500­2,000

681 A carved Blue John bowl, diameter 3.2cm, fitted case £100­200

682 An early 20th century silver and enamel bell push, of pendulum design decorated with pink guilloche enamel on silver, London

import marks for 1939, length 6.2cm £600­800

λ 683 A late 19th century carved tortoiseshell cane handle, designed as a hare with ruby cabochon eyes and a ruby and diamond­set

bow around its neck in silver, width 6.5cm £300­400

684 Fabergé, an enamel and diamond cigarette case, early 20th century, of cylindrical form with an oval cross section, applied with

pink guilloché enamel and laurel leaf borders, with a hinged lid accented with millegrain­set rose­cut diamonds, opening to reveal a

plain interior, in gilt silver, measuring 7.7 x 4.1 x 2.8cm, signed Fabergé, workmaster’s initials AH for August Hollming, 88 zolotnik mark, losses

to enamel £1,000­1,500

685 A late 19th century stickpin, designed as a coiled snaked beneath an untested pearl the serpent decorated with black enamel

and a diamond to its head in yellow gold, length 9.6cm £300­400

686 A gilt silver etui, 19th century, the cylindrical case of oval cross section, the exterior with three­tone decoration depicting urns

within oval frames, opening to reveal a toothpick, a pair of scissors, a folding knife and a pencil, length 10.8cm £400­600

687 Fabergé, a rare bowenite and demantoid carving, early 20th century, modelled as a stylised kingfisher in carved bowenite, its

eyes set with circular­cut demantoid garnets, height 4.5cm, unsigned £1,500­2,000

Fabergé’s animal carvings are among their most celebrated creations, adored and collected by some of the most prominent figures of

the early 20th century. Russia’s stone carving industry centred on the city of Yekaterinburg, where Fabergé acquired the workshop of

lapidary Karl Woerffels around 1884, and it was this workshop that produced the majority of them ­ the carvers Kremlev, Derbyshev

and Svetchnikov, managed by the German Alexander Meier. The stones were carefully selected by Carl Fabergé’s son Agathon, and

were mostly of Russian origin, taking advantage of the rich mineral resources of the Ural mountains and Siberia. The animal carvings

found immense popularity with a number of the firm’s key patrons, most notably the British royal family, whose collection boasts more

than 350 animals, and Léopold de Rothschild, who had his racehorses similarly immortalised by Fabergé’s sculptors.

While these studies were often remarkably lifelike and detailed, among Fabergé’s more unusual hardstone carvings are those taking

inspiration from Japanese netsuke, particularly their strikingly abbreviated, stylised depictions of birds in a style known as ittōbori (literally

‘one blade carving’). In common with many collectors and artists fascinated by the new influx of Japanese art at the beginning of the

20th century, Carl Fabergé himself had personally put together a collection of these small Japanese carvings in ivory and wood, which

were originally designed to suspend pouches or cases from the belts that fastened traditional Japanese dress. Perhaps the best known

results of Fabergé’s appreciation of ittōbori netsuke are direct copies of a popular Japanese model known as fukura suzume, depicting

exaggerately round sparrows in flight. In this same simplified style but in stark contrast are Fabergé’s still, watchful studies of kingfishers.

The present example, in milky pale green bowenite from the Ural mountains, is among the simplest and most pared back of Fabergé’s

kingfisher studies, its green eyes glinting with another one of Russia’s most famous gemmological exports, demantoid garnets. Kingfishers

were apparently referred to by Fabergé as ‘icebirds’, and appeared in the ledgers when one was purchased by King Edward VII in

November 1907, and another was purchased by his son, the future King Edward VIII in 1913, not long before the London Fabergé

branch was forced to close and the firm’s era at forefront of European jewellery design came to an abrupt end.

Illustrated: Geza von Habsburg, Fabergé, Geneva, 1987, no. 307, its eyes miscatalogued as peridot.

For examples of Fabergé’s kingfisher carvings in the Royal Collection, please see collection nos. RCIN 40387 and RCIN 40385.

For further discussion of the influence of netsuke on Fabergé’s hardstone animal carvings, see Geoffrey Munn, Fabergé and Japan, The

Antique Collector, January 1987, p.37­45, which also illustrates a kingfisher, fig.5.

688 A Russian emerald and diamond egg pendant, of fluted design set with a stylised shamrock decorated with emerald cabochons

and a diamond stem in 18ct yellow gold, stamped 56 and rubbed maker’s mark to bale, total length 18mm £800­1,200

689 Fabergé, an enamel locket pendant, workmaster Feodor Afanasiev, late 19th/early 290th century, of oval outline, with light

blue guilloché enamel decoration to the front, applied with a diamond­set sprig of mistletoe, opening to reveal two lockets, the

suspension bail set with small rose­cut diamonds, pendant 4cm high, stamped internally with workmaster’s initials ФА for Feodor Afanasiev

and 56 Zolotnik with Kokoshnik, box by Bentley & Co, 8 New Bond Street £1,500­2,000

690 Fabergé, a ruby, seed pearl and diamond brooch, circa 1900, designed as entwined ribbons, one of silver, set with rose­cut

diamonds and circular­cut rubies, the other in polished gold tipped with seed pearls, length 3cm, signed Fabergé, workmaster’s mark AH

for August Hollming, Russian 56 zolotnik mark for 14ct gold, pearls untested £1,000­1,500

691 Niessing, a blue diamond ‘Spannring’ ring, the brilliant­cut blue diamond weighing approximately 0.25 carats, tension­set in thick

brushed platinum mount, size M½, diamond untested for natural colour origin £2,000­3,000

692 A demantoid garnet eternity ring, set with a continuous line of circular­cut demantoid garnets, mounted in blackened platinum,

size K £300­500

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693 Cartier, an Art Deco lapis lazuli, enamel and diamond desk timepiece, 1920s, the silvered guilloché enamel

dial with black enamel Roman numeral indicators and rose­cut diamond hands, within a white enamel border,

mounted in a square frame of polished lapis lazuli, to a gilt metal back and strut, 8.0 x 8.0cm, signed Cartier, manual

winding movement, numbered 4325 and HSA 763, lapis lazuli possibly a later replacement £3,000­4,000

694 Cartier, an Art Deco agate and enamel desk timepiece, 1920s, the silvered guilloché enamel dial with black

enamel Roman numeral indicators and scrolled gold hands, within a turquoise enamel border, mounted in a lobed

frame of polished agate, to a gilt silver back and strut, 9.2cm diameter, signed Cartier, manual winding movement,

numbered 0363, French assay mark for silver, French maker’s mark MC with cog for Maurice Couet £2,500­3,000

695 Marchak, a hardstone and enamel bowl, designed as a shallow bowl of polished chalcedony, the rim with a

gold leaf and ladybird applied with red and black enamel, bowl 5.7cm diameter, unsigned, French assay mark for 18ct

gold, maker’s mark RM with compass for Mazin, fitted cased stamped Marchak £1,500­2,000

696 Cartier, an Art Deco gold, enamel and diamond vanity case, 1920s, the cylindrical case of oval section,

applied with stripes of black enamel accented with rose­cut diamonds, each end set with a section of red simulant

hardstone and mother of pearl, opening to reveal a lipstick holder and a mirror respectively, the centre with a plain

interior, measuring 9.7 x 4.1 x 3.2cm, signed Cartier NY, numbered 2694, 232g, later case £8,000­12,000

697 An Art Deco enamel and sapphire lipstick holder, 1920s, of rectangular outline, applied with black, white,

blue and green enamel with a design of grape vines, mounted in gold, set with a cabochon sapphire, length 5.3cm,

French assay mark for 18ct gold, French maker’s mark LS Frès with candle holder, possibly for Le Saché Frères, case stamped

Van Cleef & Arpels £3,000­4,000

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698 Cartier, a gold and enamel pocket watch and vesta case, circa 1908, composed of a pocket watch with a

circular gilt engine­turned dial with black enamel indicators, blue steel hands and a subsidiary seconds dial,

connected by a chain of baton linking spaced by seed pearls to a circular vesta case, the hinged lid to the match

compartment opening via a rose­cut diamond push piece, one edge with a striking strip, all applied with translucent

violet guilloché enamel and bands of white enamel, watch 6.2cm including suspension hoop, watch signed Cartier,

French import assay mark for 18ct gold, chain with French assay mark for 18ct gold and French maker’s mark TT, pearls

untested; vesta case 6cm including jump ring, signed Cartier Paris, French assay marks for 18ct gold, indistinct maker’s

mark, fitted case stamped Cartier £25,000­30,000

Cf.: Olivier Bachet and Alain Cartier, Cartier: Exceptional Objects, Palais Royal, 2019, p.149 and 152 for vesta cases

of similar design, by Henri Lavabre for Cartier, circa 1908.

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699 An Art Deco sapphire and diamond ring, circa 1930, of stylised buckle design, set with two rectangular step­cut sapphires,

bordered with circular­cut and single­cut diamonds, size O, French import assay mark for 18ct gold £1,500­2,000

700 A diamond ring, mid 20th century, the centre of navette­shaped design, set with circular­cut diamonds, the largest weighing

0.99 carats, to asymmetrically curved shoulders set with single­cut diamonds, mounted in platinum, size H½ £1,800­2,200

701 An Art Deco sapphire and diamond ring, 1930s, designed as a stylised buckle, set with circular­cut diamonds, a step­cut diamond

and step­cut sapphire, mounted in platinum, size M £1,200­1,300

702 An emerald and diamond ring early 20th century, set with a step­cut emerald weighing approximately 1.00 carat, within a border

of circular­cut diamonds, mounted in gold and platinum, size N½ £2,500­3,500

703 An unusual Art Deco carved hardstone, enamel and diamond pendant, 1930s, of circular outline, centring on a spray of leaves

and flowers in multicoloured carved chalcedony, rock crystal and opal, accented with circular­cut diamonds, on a ground of translucent

blue enamel, the reverse with the same engraved floral design, within a frame of frosted rock crystal, to a stepped bail of stepped

design, mounted in platinum, length 5.5cm including bail £800­1,200

704 A pair of Art Deco jadeite, lacquer and diamond earrings, 1920s, each of pendent design, composed of a jadeite cabochon

surmount suspending a line of oval black lacquer and diamond links, to a carved jadeite pendant accented with a rose­cut diamond,

mounted in platinum, length 7.4cm each, screw fittings £6,500­7,500

705 A pair of diamond earrings, early 20th century composite, each of pendent design, composed of an articulated line of collet­set

circular­cut diamonds suspending a larger circular­cut diamond weighing approximately 1.40 and 1.45 carats respectively, length 4.5cm

each, post fittings £6,000­8,000

706 A diamond, seed pearl and pink sapphire sautoir, 1920s and later, composite, composed of seed pearls suspending a pendant of

geometric design, set with circular­cut, baguette and carré­cut diamonds, centring on a cushion­shaped pink sapphire weighing

approximately 4.00 carats, the clasp set with circular­cut diamonds and pearls, pendant length 4.1cm, necklace length 59.5cm, pearls untested

£2,500­3,500

707 A jadeite and diamond cluster ring, the oval jade cabochon set within a surround of circular­cut diamonds in white gold, stamped

18ct, size R £500­600

708 An Art Deco chrysoprase, onyx and diamond ring, 1920s, set with a chrysoprase cabochon, within a border of calibré­cut onyx,

to settings set with rose­cut diamonds, mounted in gold and platinum, size J, stamped 750 BC £300­500

709 An emerald and diamond ring, early 20th century, claw­set with a step­cut emerald weighing approximately 3.00 carats, within

a border of single­cut diamonds, mounted in platinum, size Q, numbered 11034 £2,000­3,000

710 An Art Deco ruby and diamond eternity ring, early 20th century, set with a continuous band of calibré­cut rubies and singlecut diamonds, mounted in platinum with an engraved gallery, size M £300­400

711 A diamond eternity ring, set with a continuous band of brilliant­cut diamonds, to an engraved palladium mount, size M £500­700

712 A gem­set, enamel and diamond brooch, designed as a horse’s head, pavé­set with circular­cut diamonds, accented with circularcut rubies and emeralds and applied with black, white and red enamel, mounted in platinum, length 3.1cm, stamped Pt950

£5,500­6,500

713 An Art Deco diamond eternity ring, 1920s, channel­set with a continuous band of carré­cut diamonds, mounted in platinum,

size N, case £400­600

714 A diamond full circle eternity ring, set with round brilliant­cut diamonds in platinum, size M £600­800

715 An Art Deco emerald, ruby and diamond jabot pin, France, 1920s, of Indian inspiration, each end set with a carved emerald

within a border of single­cut diamonds, accented with black lacquer and circular­cut rubies, mounted in gold and platinum, length

8.3cmFrench assay marks for 18ct gold, partial French maker’s mark, indistinctly numbered £1,000­1,500

716 An Art Deco diamond double clip brooch, 1930s, of geometric design, set with single­cut, circular­cut and baguette diamonds,

detaching into two shield­shaped brooches, mounted in white gold, total length 5.1cm £800­1,200

717 An Art Deco diamond clip brooch, 1930s, of scrolled design, set with circular­cut and baguette diamonds, mounted in platinum

and gold, length 2.2cm £800­1,200

718 A sapphire and diamond bracelet, set with three French­cut sapphires within geometric diamond­set surround on an extending

white gold bracelet, length 15.5cm £800­1,200

719 A pearl and diamond bracelet, late 19th/early 20th century, composed of tapering bar links set with circular­cut diamonds and

pearls, mounted in silver and gold, length 17cm, pearls untested, case £3,000­5,000

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720 Cartier, a carnelian and emerald brooch, 1950s, designed as a bird in carved carnelian, its eye set with a

cabochon emerald, mounted in gold, length 3.2cm, signed Cartier London, numbered K5666, fitted case stamped Cartier,

numbered K5666 £1,500­2,000

721 Vhernier, a gold and carnelian ring, collet­set with a cabochon carnelian backed in an articulated closedback collet setting, to a plain band, mounted in gold, size M½, signed Vhernier, stamped 750, Italian maker’s marks,

fitted case stamped Vhernier £200­300

722 A diamond­set gold collar necklace, six of the graduated fancy links pavé­set with graduated circular­cut

diamonds in 18ct yellow gold, length 37cm, 113g £4,000­5,000

723 Boucheron, a gold and diamond demi­parure, 1970s, comprising: a pair of ear clips and a ring, each composed

of textured gold, set with brilliant­cut diamonds, ear clips each 2.2cm, signed Boucheron Paris, numbered 37122,

stamped with French assay marks for 18ct gold and platinum, maker’s marks for André Vassort, ring size K½, signed

Boucheron Paris, numbered 48861, French import assay marks for 18ct gold and platinum £4,000­6,000

724 Mellerio dits Meller, a pair of gold ‘Day and Night’ ear clips, mid 20th century, each designed as a hoop of

woven gold links suspending another detachable hoop, total length 3.1cm, each signed Mellerio Paris, numbered 299

OR, stamped French assay marks for 18ct gold and partial French maker’s marks £500­700

TO BE SOLD WITHOUT RESERVE

λ 725A ruby and diamond brooch, mid 20th century, designed as a Bird of Paradise, its head and body set with

carved and cabochon rubies, its eye a cabochon sapphire, its beak of carved coral, its crest and tail plumes in

textured gold accented with brilliant­cut and single­cut diamonds, length 7.7cm, French assay mark for 18ct gold,

inscribed ‘France’ £2,000­3,000

726 A pair of ruby and gem­set earrings, each of cluster design, set with a circular­cut ruby within a border of

circular­cut tanzanites and pink sapphires and brilliant­cut diamonds, mounted in gold, diameter 1cm each, post

fittings £400­600

727 A Retro citrine, pink sapphire and diamond demi­parure, mid 20th century, comprising: a pair of scrolling

earrings set with circular­cut rubies, trapezoid and brilliant­and single­cut diamonds, mounted in gold and platinum,

length 4.2cm each, clip fittings; together with two brooches of similar scroll design, length 4.2cm each, one with two

diamonds deficient £9,000­11,000

728 Van Cleef & Arpels, a gold bracelet, of flattened curb linking in gold, length 18.5cm, signed VCA, numbered

B2483RG4, French import assay mark for 18ct gold, French maker’s mark Sté G with ace of spades, gross weight 17 grams

£1,500­2,000

729 Cartier, a gold bracelet, designed as an anchor­link chain in 18ct gold, length 18.5cm, signed Cartier Paris,

French assay mark for 18ct gold, French maker’s mark for Georges Lenfant, gross weight 13 grams £1,500­2,000

730 A pair of gold and diamond ear clips, France, 1970s, each of foliate design, composed of leaf motifs in gold,

set with sections of brilliant­cut diamonds, length 2.3cm each, clip fittings, each with French export assay marks for

18ct gold and platinum, each stamped FRANCE £3,000­4,000

731 A ruby ring, of cluster design, centring on a cushion­shaped ruby weighing approximately 3.80 carats, within

a floral border of hexagonal rubies, in a millegrain­edged gold setting, size N £8,000­12,000

Accompanied by report number CDC 2308910 dated August 18, 2023 from C.Dunaigre Switzerland, stating that

the central cushion­shaped ruby weighing approximately 3.80carats is of Burmese (Myanmar) origin, with no

indications of heat treatment.

732 Cartier, a pair of gold and diamond earrings, 1970s, each designed as a gold heart engraved with stripes, set

with brilliant­cut diamonds, length 2.1cm each, clip and post fittings, signed Cartier London, numbered P6326

£6,500­7,000

733 A pair of diamond ear clips, mid 20th century, each designed as a leaf, pavé­set with brilliant­cut and singlecut diamonds, centring on a channel­set line of baguette diamonds, mounted in platinum, length 3.4cm each, stamped

Pt950, French import assay marks for 18ct gold and platinum £7,000­9,000

734 Mellerio dits Meller, a Retro ruby and diamond ring, 1930s, set with an oval ruby, to a gold mount set with

circular­cut diamonds and a line of channel­set calibré­cut rubies, size J½, signed Mellero dits Meller, numbered 625.B,

indistinct French maker’s mark £1,500­2,500

TO BE SOLD WITHOUT RESERVE

735 A diamond ring, of bombé design, pavé­set with brilliant­cut diamonds, mounted in white gold, size I½,

indistinct assay mark, stamped 18K £800­1,200

736 A pair of diamond hoop earrings, set overall with graduated circular­cut diamonds and a baguette­shaped

diamond in white gold, stamped 18k, width 2.2cm, post fittings £2,000­3,000

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737 A natural pearl and diamond brooch, circa 1910, designed in the ‘garland style’, composed of a ribbon bow

suspending a laurel wreath, set with circular­ and rose­cut diamonds and a natural pearl measuring approximately

16.7 x 10.3 x 8.3mm, mounted in platinum with millegrain edges, length 4.6cm £6,000­8,000

A verbal report from GCS states that the pearl is natural, saltwater.

738 A pair of natural pearl drops, each set with a cushion­shaped diamond above a diamond­set cap suspending

a pearl, mounted in silver, length 2.6cm and 2.5cm, pearls approximately 11.2 x 9.9 x 9.9mm and 12.0 x 10.2 x 9.6mm

£12,000­15,000

A verbal report from The Gem and Pearl Laboratory states that the pearl measuring approximately 12.0 x 10.2 x

9.6mm is natural saltwater, and the other is natural, freshwater.

739 A pair of natural pearl and diamond earrings, each set with a circular­cut diamond suspending a white and

a grey pearl respectively, mounted in white gold, length 17mm, post fittings, white pearl 6.20 carats, measuring

approximately 8.8 x 11.9mm, grey pearl 6.70 carats, measuring approximately 8.8 x 11.3mm £4,000­6,000

A verbal report from GCS states that the pearls are natural saltwater.

740 A sapphire and diamond necklace, the front composed of a curved line of brilliant­cut diamonds suspending

a large sapphire bead measuring approximately 25.0 x 22.8 x 15.8mm, to a curb link back chain, mounted in white

gold, necklace length 37cm, pendant length 3.9cm, stamped 14K £16,000­18,000

741 A natural pearl and diamond three­stone ring, set with a central button­shaped white pearl weighing 3.45

carats, flanked with cushion­shaped diamonds totalling approximately 0.80cts, mounted in gold, size O

£2,500­3,500

A verbal report from GCS states that the pearl is natural, saltwater.

742 A natural pearl and diamond ring, set with a central pearl within a surround of old cushion­shaped diamonds

in gold, French control marks and indistinct maker’s lozenge, size L £1,000­2,000

743 A natural pearl ring, early 20th century, set with a pearl measuring approximately 11.0­11.2 x 9.4mm, to

shoulders set with circular­cut diamonds, mounted in platinum, size N½, case £1,500­2,000

Accompanied by report no. 23078 from the Gem & Pearl Laboratory, stating that the pearl is natural, saltwater.

744 A natural pearl ring, mid 20th century, set with a pearl measuring approximately 10.31 x 9.73 x 8.74mm,

mounted in gold, size K £3,000­4,000

Accompanied by GCS report no. 5784­1133, stating that the pearl is natural, saltwater.

745 A natural pearl and diamond necklace, designed as a single strand of natural pearls measuring 2.7­5.8mm,

to a diamond cluster clasp, mounted in silver and gold, length 36cm £800­1,200

Accompanied by Anchor Cert report no. 1/20517­001, dated 1st July 2010, stating that the 87 pearls are natural,

saltwater.

746 A natural pearl and diamond necklace, early 20th century, designed as as single row of graduated natural

pearls measuring 2.2­6.2mm diameter, to a navette­shaped clasp set with rose­cut diamonds, length 41cm

£1,500­2,000

Accompanied by report no. 24102 from the Gem & Pearl Laboratory, stating that the pearls are natural, saltwater.

747 A natural pearl stick pin, France, late 19th/early 20th century, capped with a natural pearl of grey tint

measuring approximately 7.7 x 7.0 x 7.0mm and rose­cut diamonds, mounted in gold, length 7.1cm, indistinct French

maker's mark, fitted case stamped R.Laurin Bâle £800­1,200

Accompanied by LFG Paris report no. 401090, dated 25th April 2023, stating that the pearl measuring 7.0­7.1 x

7.8mm diameter is natural, saltwater.

748 A pair of natural pearl and diamond drop earrings, early 20th century, each set with a cushion­shaped

diamond suspending a series of articulated liks of foliate design set with diamonds, suspending natural pearls

measuring approximately 12.0 x 11 x 10.7mm and 12.3 x 11.6 x 9.6mm respectively, length 4.8cm, screw fittings and

safety hooks £20,000­30,000

A verbal report from The Gem and Pearl Laboratory states that the pearls are natural, saltwater.

749 A pair of natural pearl and diamond earrings, mid 20th century, each of spiral design, centring on a natural

pearl, within a surround of circular­cut and baguette diamonds, mounted in platinum in platinum, length 2.5cm each,

post and clip fittings £10,000­20,000

Accompanied by GCS report no. 78175­64, dated 29 August 2018, stating that the cream­coloured pearls

measuring 8.5 ­ 8.7 x 7.3 and 8.7 ­ 8.9 x 7.1 mm are natural, saltwater, with no indications of treatment. 116

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750 J.E. Caldwell, an Art Deco emerald and diamond necklace, 1920s, the pendant of tassel design, set with

circular­cut and cushion­shaped diamonds, suspending a drop­shaped emerald measuring approximately 15.8 x

13.3 x 12.3mm, to a chain necklace spectacle­set with circular­cut and cushion­shaped diamonds, necklace length

48cm, pendant length 6.2cm, signed JEC Co £16,000­18,000

751 A blue spinel and diamond ring, set with a cushion­shaped blue spinel weighing 6.63 carats, between

shoulders set with baguette diamonds, mounted in platinum, size N, case £3,000­5,000

Accompanied by report number 24246 dated 23rd February 2024 from The Gem & Pearl Laboratory, stating that

spinel measuring approximately 11.2 x 10.3 x 7.0mm is natural, with no evidence of heat treatment.

752 A pink spinel and diamond ring, the cushion­shaped spinel weighing approximately 6.50 carats, flanked with

trillion­shaped diamonds, mounted in gold, size L £6,500­7,500

A verbal report from GCS states that the spinel is from Tajikistan with no indications of heating.

753 A diamond ring, set with a brilliant­cut diamond weighing approximately 2.50 carats, between shoulders set

with baguette diamonds, mounted in platinum, size K, stamped platinum £7,000­10,000

A verbal report from GCS states that the central diamond is natural, K colour, SI2 clarity, strong blue fluorescence

754 An Edwardian diamond cluster ring, with two principal diamonds weighing approximately 1.80 and 1.75cts,

within foliate diamond­set shoulders in platinum, size N approx. £15,000­20,000

755 A sapphire and diamond ring, set with a step­cut sapphire measuring approximately 7.6 x 6.8 x 6.1mm, to a

mount pavé­set with brilliant­cut diamonds, the shoulders set with baguette diamonds, to a gold band, size L½,

French import assay marks for 18ct gold and platinum £6,000­8,000

A verbal report states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

756 A sapphire solitaire ring, the oval­shaped sapphire weighing 11.83 cts, claw­set in platinum and gold, size N ½

£5,000­7,000

Accompanied by report number 24080 from The Gem & Pearl Laboratory, dated 20th December 2023, stating

that the colour change sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

757 A sapphire and diamond ring, collet­set with a cushion­shaped sapphire weighing approximately 5.50 carats,

within a border of circular­cut diamonds, mounted in platinum, size N½ £8,000­10,000

Accompanied by report no. CDC 23081192 from C.Dunaigre Switzerland, stating that the sapphire is of Sri Lankan

(Ceylon) origin, with no indications of heat treatment.

758 A diamond ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 2.20 carats,

mounted in platinum, size L½ £5,000­7,000

TO BE SOLD WITHOUT RESERVE

759 An Art Deco amethyst, onyx and diamond pendant, 1920s, the pendant composed of a polished amethyst

within an intricate platinum openwork mount, set with rose­cut diamonds calibré­cut onyx and two pearls,

suspended from a necklace composed of navette­shaped and spectacle­set links set with circular­cut diamonds,

necklace length 57cm, pendant length 7.5cm £6,500­7,000

760 A ruby three­stone ring, set with three cushion­shaped rubies totalling approximately 4.00 carats, in gold

collet settings, size L½ £4,000­6,000

Accompanied by GIA report no. 5234051602, stating that the rubies measuring 6.8 x 5.5 x 3.1 to 9.2 x 6.5 x 3.3mm

are of Burmese (Myanmar) origin, with no indications of heat treatment.

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761 A late 19th century ruby five stone ring, set with graduated cushion­shaped rubies and diamond pointers in

carved and pierced yellow gold setting, size N £400­600

762 A ruby and diamond brooch, designed as a bouquet of flowers, set with rose­cut diamonds and oval rubies,

mounted in silver and gold, length 7.4cm £3,000­4,000

763 A ruby five­stone ring, set with graduated cushion­shaped rubies spaced with diamonds, in a carved and

pierced yellow gold setting, size M £600­800

764 A late 19th century diamond five stone ring, set with graduated old cushion­shaped diamonds and diamond

pointers in carved and pierced yellow gold setting, size P £1,000­2,000

765 A ruby and diamond three­stone ring, late 19th century, the cushion­shaped ruby flanked by a pair of circularcut diamonds, mounted in gold, size O £3,000­4,000

A verbal report from the Gem and Pearl Laboratory states that the ruby shows no indications of heat treatment.

766 A diamond rivière necklace, late 19th century and later, the front designed as a series of graduated circularcut diamonds in collet settings, mounted in silver and gold, to a later back chain, length 39.5cm £800­1,200

767 A sapphire and diamond ring, mid 19th century, designed as two conjoined hearts surmounted by a ribbon

bow, set with a pear­shaped sapphire and diamond, bordered with rose­cut diamonds, mounted in silver and gold,

size N½ £2,000­3,000

768 A diamond brooch, late 19th century, of floral design, set with circular­cut and pear­shaped diamonds in

silver on gold, length 5.1cm £600­800

Accompanied by original receipt dated 1954.

769 A pearl and diamond brooch, 19th century, in the form of a stylised snake set with cushion­shaped diamonds

and ruby eyes, suspending a grey pearl from its mouth, mounted in silver and gold, length 4cm £2,000­3,000

Accompanied by report number 5784­1796 from GCS dated March 2024 stating that the pearl is natural saltwater,

the surface of the pearl has been worked.

770 A pair of diamond earrings, early 19th century and later, each designed as an acorn suspended from a pair

of oak leaves and a line of oak leaf links, set with cushion­shaped diamonds, mounted in silver and gold, length

6.7cm each, later post fittings, composite design, acorns detachable, two diamonds deficient £4,000­6,000

771 A Victorian ruby and diamond locket pendant, late 19th century, designed as a heart, set with cushionshaped diamonds and a pear­shaped ruby, the reverse set with polished rock crystal, suspended from a diamond

bail, mounted in silver and gold, length 2.7cm including bail £600­800

772 A ruby and diamond brooch, late 19th century, designed as a cross, set with graduated rubies and diamonds

in silver and gold, detachable brooch fitting to reverse, length 3cm £4,500­5,500

A verbal report from The Gem and Pearl Laboratory states that the five rubies are of Burmese (Myanmar) origin,

with no indications of heat treatment.

773 A diamond pendant/brooch, early 19th century and later, designed as a foliate frame set with cushionshaped diamond, the centre suspending a pear­shaped rose­cut diamond in a foiled setting, length 4.7cm, rose

diamond possibly later added, top section with pendant loop interchangeable with a plain gold brooch fitting, fitted case

£8,000­12,000

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774 A demantoid garnet, ruby and diamond brooch, early 20th century, designed as a grasshopper, set with

circular­ and rose­cut diamonds and circular­cut demantoid garnets, its eye set with a ruby, mounted in gold, length

3.6cm £1,600­1,800

775 A Victorian enamel, ruby and diamond brooch, late 19th century, designed as a swallow flying among a

branch entwined with a tree orchid, set with cushion­shaped and rose­cut diamonds, the swallow’s eye set with a

cabochon ruby, the orchid applied with multicoloured enamel, mounted in silver and gold, length 5.4cm

£600­800

776 Attributed to Fonsèque et Olive, a glass and diamond brooch, France, circa 1890, designed as a branch set

with rose­cut diamonds, suspending four grapes in green glass, mounted in silver and gold, length 4.6cm, French

assay marks for 18ct gold, unsigned £1,600­1,800

777 A tourmaline, ruby and diamond brooch, circa 1900, designed as a dragonfly, its wings set with calibré­cut

green tourmalines, lined with rose­cut diamonds, its body pavé­set with cushion­shaped diamonds, its eyes set with

cabochon rubies, mounted in silver and gold, wingspan 7.9cm £2,000­4,000

778 A gem­set frog brooch, pavé­set with old circular­cut diamonds weighing approximately 2.00cts in total, with

ruby eyes in silver and gold, length 2.4cm £1,200­1,500

779 An opal and diamond ring, late 19th century, the oval opals mounted in a carved and pierced yellow gold

setting accented with diamonds, size N, stamped 18 to shank £200­300

780 A diamond brooch, designed as a frog, pavé­set with cushion­shaped diamonds totalling approximately 10.00

carats, mounted in silver and gold, length 4.5cm £5,500­6,500

781 A Victorian gem­set and diamond brooch, late 19th century, designed as a dragonfly, set with cabochon

and oval rubies, step­cut emeralds, opal cabochons and circular­ and rose­cut diamonds, mounted in silver and

gold, wingspan 5.2cm, detachable brooch fitting £5,000­7,000

782 A Victorian chrysoprase and diamond brooch, late 19th century, designed as two hearts surmounted by a

ribbon bow, set with polished heart­shaped chrysoprase cabochons and bordered with circular­cut diamonds,

mounted in silver and gold, length 2.9cm £600­800

783 A late 19th century owl stickpin, set with rubies and diamond, mounted in silver and gold, width 11mm,

length 7cm, case £400­600

784 A pair of diamond and emerald brooches, designed as frogs, set with circular­cut diamonds totaling

approximately 1.60 carats, their eyes set with circular­cut emeralds, mounted in silver and gold, connected by a

chain threaded with a pearl, larger frog 2.4cm, each stamped 585, pearl untested £1,200­1,500

785 A diamond and pearl brooch, late 19th century, designed as a butterfly, set with rose­cut diamonds, its eyes

set with cabochon rubies, to a bar brooch set to one end with a half pearl, mounted in silver and gold, length 5.2cm,

case stamped Dibdin & Co. Ltd, 189 Sloane Street £200­300

786 A sapphire and diamond turtle brooch, set with circular­cut sapphires and diamonds, mounted in silver and

gold, length 3.8cm sapphires approximately 3.50 carats in total, diamonds approximately 3.00 carats in total

£2,000­3,000

787 A Victorian diamond brooch, late 19th century, designed as a crescent moon, set with circular­cut diamonds,

mounted in silver and gold, length 2.6cm £400­600

788 A late Victorian sapphire and diamond five­stone ring, circa 1900, set with three circular­cut diamonds

totalling approximately 1.30 carats, spaced by cushion­shaped sapphires, accented with rose­cut diamonds, to a

gold mount of scrolled design, size N½, two rose-cut diamonds deficient £1,000­1,500

789 A Victorian mother of pearl and diamond brooch, late 19th century, designed as a pea pod in polished

mother of pearl, set with cushion­shaped and rose­cut diamonds, mounted in silver and gold, length 5.7cm

£1,900­2,300

790 A Victorian diamond and ruby brooch, late 19th century, designed as a bee, set with cushion­shaped and

rose­cut diamonds, its eyes set with cushion­shaped rubies, mounted in silver and gold, wingspan 4.1cm, one foreleg

deficient £1,500­2,000

791 A late Victorian moonstone and diamond brooch, circa 1900, designed as a heart surmounted by a bow,

set with a heart­shaped cabochon moonstone, within a border of cushion­shaped diamonds, mounted in silver and

gold, length 2.6cm £600­800

792 A moonstone and diamond ring, designed as a heart surmounted by a star, set with a polished heart­shaped

cabochon moonstone, bordered with rose­cut diamonds, mounted in silver and gold, size M½ £800­1,200

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783

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793 A garnet demi­parure, 19th century and later, comprising: a rivière necklace composed of flat oval garnets

in foiled gold settings, length 39cm, one link broken; and a pair of similar drop earrings set with flat pear­shaped

garnets, length 2.7cm each, later post fittings £600­800

794 A rare ‘Queen Anne’ paste necklace and brooch, second half 18th century and later, comprising: a necklace,

composed of oval, and cushion­shaped pastes suspending a pear­shaped pendant, in a pale blue colour imitating

aquamarine, in foiled silver settings, to a later clasp set with colourless pastes, length 43cm; and a similar brooch of

quatrefoil design, length 4.4cm, later brooch fittings, fitted case £1,000­1,500

795 A George III diamond brooch, of quatrefoil design set with graduated cushion­shaped and pear­shaped

diamonds in closed­back silver and gold settings, length 3cm, case £800­1,200

796 A George III agate bracelet, early 19th century, composed of two rows of rectangular sections of agate in

gold pinched collet settings, to an oval agate clasp, length 16cm £600­800

λ 797 A superb pearl, enamel and diamond mourning ring, circa 1791, of oval outline, centring on a funerary

monument composed of an ivory panel initialled ID, surmounted by a pearl, to a rose­cut diamond base, beneath

a three­dimensional weeping willow set with rose­cut diamonds, on a blue enamel ground, covered by a glazed

panel, to an outer border of cushion­shaped diamonds, the reverse with a glazed compartment containing hairwork,

bordered by the dedicatory inscription ‘Ja.s Duberly Esq died 4 July 1791 Aged 64’, mounted in silver and gold, size

Q½, front measuring 3.5 x 2.1cm, pearl untested £1,500­2,000

Provenance: the collection of Jean­Louis Chameroy.

TO BE SOLD WITHOUT RESERVE

798 A late 18th century sapphire and diamond ring, set with a cabochon sapphire within diamond foliate

shoulders in a closed­back silver and gold setting, size I, case £4,000­6,000

Accompanied by report number 313853/20064435 dated 31st October 2023 from Anchor Cert stating that the

Oval cabochon blue sapphire measuring 12.5 x 9.4mm is of Sri Lankan (Ceylon) origin, with no evidence of heat

treatment.

799 A rock crystal and enamel ring, late 17th century, set with three table­cut rock crystals, within a gold mount

engraved with foliate motifs applied with green, black and white enamel, mounted in gold, size K, losses to enamel

£200­300

800 A rock crystal and enamel mourning ring mid 18th century, set with a cushion­shaped rock crystal, to a

scrolling white enamel shank, dated 1739, size L £400­600

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801 An unusual Art Deco enamel and diamond brooch, 1920s, designed as a hoopoe on a curved branch, set

with single­cut diamonds and applied with black enamel, mounted in platinum, length 4.3cm, one diamond deficient,

fitted case stamped Goldsmiths & Silversmiths Company £500­700

802 Henri Picq, an Art Deco emerald, sapphire and diamond brooch, 1920s, naturalistically modelled as a ribbon

bow, pavé­set with circular­cut diamonds, accented with lines of buff­topped calibré­cut emeralds and sapphires,

mounted in platinum, length 4.9cm, French assay marks for platinum and 18ct gold, partial maker’s mark HP with ace of

spades for Henri Picq, numbered 88114 £6,000­8,000

803 A fine Art Deco sapphire and diamond brooch, 1920s, centring on a circular­cut diamond weighing

approximately 1.20 carats, within a brooch of plaque design with a stepped outline, pierced with a geometric pattern,

pavé­set with circular­cut diamonds and outlined with buff­topped calibré­cut sapphires, mounted in platinum,

length 5.8cm, French assay mark for platinum and 18ct gold, French maker’s mark AN with jug, case stamped Boucheron

£15,000­20,000

804 Henri Lavabre, a fine Art Deco diamond bracelet, 1920s, designed as an articulated ribbon, pavé­set with

circular­cut diamonds, length 18cm, maker’s mark HL with flower for Henri Lavabre, numbered LV432, case stamped

Cartier, numbered to the interior CL432 £30,000­40,000

805 A star sapphire and diamond ring, the cabochon sapphire set within a surround of baguette­shaped and

circular­cut diamonds in platinum, size M £1,500­2,000

806 A sapphire and diamond bombé ring, set with an oval sapphire within graduated baguette­shaped and

circular­cut diamonds, mounted in platinum and gold, indistinct maker’s mark, size K £1,500­2,000

807 An Art Deco diamond cluster ring, set with a circular­cut diamond weighing 2.08cts, within a surround of

smaller old­cut diamonds in platinum, size K £8,000­12,000

808 An Art Deco sapphire and diamond ring, 1920s, set with a step­cut sapphire weighing approximately 2.50

carats, to shoulders set with single­cut diamonds, mounted in platinum, size L, stamped Platinum £1,200­1,500

A verbal report from GCS states that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat

treatment.

809 An impressive sapphire and diamond ring, of toi et moi design, set with a cushion­shaped diamond weighing

4.95cts and a cushion­shaped sapphire weighing 6.67cts, mounted in platinum, size K £20,000­30,000

A verbal report from GCS states that the sapphire is of Basaltic origin with no indications of heat treatment.

126

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第129页

127

801

805

802

806

803

807

804

808

809

第130页

128

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

810 Mauboussin, an Art Deco sapphire and diamond double clip brooch, France, circa

1935, designed as a geometrically stylised bow, set with step­cut sapphires, circular­, singlecut, cushion­shaped and baguette diamonds, with sections of polished platinum, combined

length 5.4cm, detaching into two separate brooches, each 2.7 x 3.1cm, each clip signed

Mauboussin Paris, French assay marks for 18ct gold and platinum, indistinct French maker's marks,

each indistinctly numbered £25,000­30,000

Cf.: Marguerite de Cerval, Mauboussin, Editions du Regard, Paris, 1992, p.130 for a double

clip brooch of similar 'Papillon' design in platinum and diamonds, with similar accents of

polished platinum, circa 1935

lifesize

第131页

129

811 A ruby single­stone ring, rubover­set with an oval ruby weighing 2.09 carats, to a tapering gold band, size M

£15,000­20,000

Accompanied by AGL report no. 1123642, dated 3rd June 2022, stating that the ruby is of Burmese (Myanmar)

origin, with no indications of heat treatment.

lifesize

第132页

812 Trabert & Hoeffer Mauboussin, a pink sapphire and diamond brooch, ‘Reflection’, 1940s, designed as a

heart, pavé­set with circular­cut pink sapphires, spaced with single­cut diamonds, length 5.4cm, stamped 14K,

signed ‘Reflection’ £20,000­30,000

130

812

813 An impressive ruby and diamond parure, 1960s, comprising: a necklace, a pair of ear clips, a bracelet and

a brooch, each of abstract foliate design, set with baguette and brilliant­cut diamonds totalling approximately

45.00­55.00 carats and marquise­shaped rubies totalling approximately 15.00­18.00 carats, mounted in platinum

and white gold, bracelet length 17.5mm, necklace length 41cm, ear clips 6.1cm each, brooch 10.5cm

£20,000­30,000

Accompanied by report no. 24267 from the Gem & Pearl Laboratory, dated February 2024, stating that samples

of the rubies were found to be of Burmese (Myanmar) origin, with no indications of heat treatment.

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

第133页

131

813

第134页

814 An early 20th century natural pearl and diamond pendant, the pearl drop suspended within borders of

graduated old circular­cut diamonds in platinum, French import marks, length 5.8cm £2,000­3,000

Accompanied by report number 24211 dated 26th January 2024 from The Gem & Pearl Laboratory, stating that

the drop shaped pearl measuring 7.9­8.1mm in width and 13­14mm in length is natural, saltwater.

815 A natural pearl and diamond brooch, late 19th century, designed as a three­leaf clover, set with circular­cut

diamonds and three natural pearls of white, cream and grey tints, measuring approximately 7.9 ­ 8.3mm diameter,

mounted in silver and gold, length 3.4cm £8,000­12,000

A verbal report from the Gem & Pearl laboratory states that the three pearls are natural, saltwater.

816 A natural pearl ring, first half 20th century, centring on a bouton­shaped natural pearl measuring

approximately 12.6­12.8 x 11­12mm, to shoulders set with baguette diamonds, mounted in platinum, size F½ (sizing

band), French assay mark £1,500­2,500

Accompanied by report no. 22182 from the Gem & Pearl Laboratory, stating that the pearl is natural, saltwater.

817 A pair of natural pearl and diamond cluster earrings, set with a button­shaped pearl within radiating surround

of graduated circular­cut diamonds in white gold, length 2.2cm £2,500­3,500

Accompanied by report no. 05201 from the Gem & Pearl Laboratory, dated 7th February 2012, stating that the

two pearls measuring 11.3­11.5 x 8.2mm and 11.1­11.3 x 8.3mm are natural, saltwater.

818 A natural pearl, sapphire and diamond necklace, early 20th century, designed as a single strand of natural

pearls, to a clasp set with a cabochon sapphire, rose­ and circular­cut diamonds, mounted in gold and platinum,

length 43.5cm £25,000­35,000

Accompanied by GIA report number 2185290326, dated 14th April 2017, stating that the 59 pearls ranging from

4.75mm to 9.21 x 8.90mm diameter are natural, salwater.

819 An Art Deco natural pearl, onyx and diamond necklace, early 20th century, composed of graduated natural

pearls measuring approximately 2.5­7.0mm diameter, to a clasp of geometric design set with an Asscher­cut

diamond, within a border of single­cut diamonds and calibré­cut onyx, length 52.5cm £5,000­7,000

A verbal report from the Gem & Pearl laboratory states that the pearls are natural, saltwater.

132

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第135页

133

814

818

815

819

816

817

第136页

820 Cartier, a pair of diamond earrings, 1950s, each designed as a five­petalled flower, set with brilliant­cut

and baguette diamonds, mounted in platinum, length 2.6cm each, clip and post fittings, each signed Cartier London,

stamped Pt950 for platinum, each with sponsor’s mark JC for Cartier London, case stamped Cartier London

£30,000­40,000

134

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

not lifesize

第137页

135

821 Cartier, a fine ruby and diamond ring, early 20th century, claw­set with an oval ruby weighing 3.30 carats,

set with five circular­cut diamonds to each shoulder, mounted in platinum, size J, signed Cartier, numbered 3574

£30,000­40,000

Accompanied by SSEF report number 112584, dated 18 February 2020, stating that the ruby weighing 3.308 carats

is of Burmese (Myanmar) origin, with no indications of heat treatment. lifesize

第138页

822 Attributed to Cartier, a fine Belle Époque diamond choker necklace, circa 1907, centring on a ribbon bow

suspending two tassels and a navette­shaped pendant, set with circular­cut and rose­cut diamonds, to a black

velvet choker necklace bordered in rose­cut diamonds, mounted in millegrained platinum, length of necklace

30.5cm, length of central pendant 4.0cm, unsigned, clasp with French maker's mark GS with a spouted jug for Guillaume

Saibène, stamped MD for 'Metaux Divers'

£15,000­20,000

Cf.: Judy Rudoe, Cartier: 1900-1939, British Museum, 1997, catalogue no.11, p.83, for a sautoir produced by Saibène

for Cartier Paris in 1907, and Christie's Geneva, May 2018, lot 109, for a Cartier choker necklace of very similar design

136

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第139页

137

823 An impressive sapphire and diamond devant­de­corsage, late 19th century, set with a shallow octagonal

sapphire, a cushion­shaped sapphire and a pear­shaped sapphire, within a foliate openwork border set with

cushion­shaped diamonds, mounted in silver and gold, length 6.9cm, fitted case £20,000­30,000

Accompanied by report number 81309­87 dated 18th June 2021 from GCS stating that the octagonal sapphire

measuring approximately 18.3 x 14.6 x 5.5mm and the pear­shaped sapphire measuring approximately 13.8 x 8.4 x

5.6mm are each of Sri Lankan (Ceylon) origin, with no indications of heat treatment, and the cushion­shaped sapphire

measuring approximately 9.7 x 8.9 x 3.9mm is of Burmese (Myanmar) origin, with no indications of heat treatment.

Provenance: formerly in a Noble Family Collection.

第140页

824 Boucheron, a fine and rare natural pearl and diamond necklace, first half 20th century, composed of two

strands of graduated natural pearls measuring approximately 2.6­8.0mm, to a clasp set with an antique marquiseshaped diamond, length 48cm, signed Boucheron Paris, French assay marks for platinum and 18ct gold

£10,000­15,000

Accompanied by report no. 22183 dated 30th September 2022 from the Gem & Pearl Laboratory, stating that the

188 pearls are natural, saltwater.

138

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第141页

139

END OF SALE

825 An impressive Art Deco ruby and diamond ring, 1920s, set with a cushion­shaped ruby weighing 5.66cts,

between stepped shoulders set with baguette diamonds, mounted in platinum, size L £60,000­80,000

Accompanied by report number 136293 dated 20th February 2024 from SSEF stating that the antique cushion step­cut

ruby, measuring 12.37 x 8.87 x 5.35mm, is of Burmese (Myanmar) origin, with no indications of heat treatment. lifesize

第142页

FINE JEWELLERY

THURSDAY 10TH JULY 2024

Andrew Grima, an impressive gold, amethyst and diamond necklace, circa 1969, the hinged gold collar suspending a large oval step­cut amethyst

in an abstract setting composed of oval motifs, accented with single­cut diamonds, mounted in 18ct gold, signed Grima, British hallmarks for 18ct gold,

London, 1969, sponsor’s mark HJCo, length 50cm, pendant length 6.5cm

Estimate £14,000 ­ 18,000*

ENQUIRIES

Marielle Whiting | +44 (0)1722 424595 | mw@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

第143页

BRITISH AND CONTINENTAL CERAMICS & GLASS

TUESDAY 30TH APRIL 2024

A Jacobite wine glass engraved with flowers and insects, c.1760, 18.7cm

Estimate £1,200 ­ 1,500*

ENQUIRIES

Clare Durham | +44 (0)1722 424507 | cd@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

第144页

SILVER & OBJECTS OF VERTU

WEDNESDAY 1ST & THURSDAY 2ND MAY 2024

By Gerald Benney, a modern silver and enamel cigar humidor,

designed and enamelled by Gerald Benney in conjunction with Alan Evans, London 1980

Estimate £5,000 ­ 7,000*

ENQUIRIES

Rupert Slingsby | +44 (0)1722 424501 | rs@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

第145页

FINE ASIAN ART

TUESDAY 21ST MAY 2024

A large and extremely rare Chinese Imperial lacquer ‘Daoist Paradise’ panel, Qianlong period 1736­95, 71cm x 101.5cm

Estimate £200,000 ­ 300,000*

Provenance: An English private collection; formerly Spink & Son Ltd. (Advertised in the Connoisseur magazine, December 1950).

Formerly the collections of Colonel Rokeby and Lord Nunburnholme.

ENQUIRIES

asianart@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

第146页

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale

and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on

01722 424500 or emailing id@woolleys.live

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party

website, does not automatically register you to bid

with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that

you may be asked to provide two forms of identification, even if

you have bid with us before, in order that we are compliant with

Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be

obtained from the office either during the view or on the day of

the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission

bid. This will be executed on your behalf by the auctioneer who

will purchase the lot as cheaply as possible bearing in mind any

reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior

arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most

of our auctions via bid.woolleyandwallis.co.uk, enabling you to

take part in the bidding from anywhere in the world live

as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium

thereon of 26% plus VAT @20% (totalling 31.2% inclusive)

on the first £500,000 and 20% plus VAT @20% (24% inclusive)

thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports

on any lot, where practical. All weights and measures given in the

catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but

the following are carriers in our area.

Alban Shipping +44 (0)1582 493099

info@albanshipping.co.uk

www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436

andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133

info@mbewinchester.co.uk

www.mbe.co.uk/winchester

Sackville ­West +44 (0)2080 909988

Moving & Storing office@sackvillewest.co.uk

www.sackvillewest.co.uk

ZIXIS Fine Art Limited +44 (0)7873 981026

zixisfineart@163.com

www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage

or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties

and other fees may apply at the country of destination. It is also

your responsibility to ensure that your shipment can be lawfully

imported to the destination country.

Please note that due to the withdrawal of the Retail Export

Scheme by HMRC, we are unable to provide VAT refund

documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported

by a shipper and valid export documentation must be provided.

AUCTION INFORMATION

第147页

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and

bank details and will require funds to be cleared before

purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, debit and

credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected

during the auction.

We reserve the right to add storage charges to all lots not

collected within 30 calendar days of the sale. This will include a

handling fee of £20 (+ VAT) per consignment and a storage

charge of £2 (+ VAT) per lot per day. No goods will be allowed

to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the

hammer price. Lots marked with an omega (Ω) have been

temporarily imported from outside the EU and are subject to VAT

at 5% on the hammer price and the buyer’s premium. In online

catalogues, the Sales Tax % column indicates the rate of VAT on

hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES

Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to

a levy.

Droit de Suite is a royalty payable to a qualifying artist or the

artist’s heirs each time a work is resold during the artist’s lifetime

and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on

the hammer price excluding the buyer’s premium. The royalty

does not apply to lots selling below the sterling equivalent of

£1,000 and the maximum royalty payable on any single lot is the

sterling equivalent of £12,500.

Droit de Suite, which is not subject to VAT, will be added to the

buyer’s purchase price and then passed on to the relevant

collecting agency.

Please enquire for the accepted exchange rate on the day of the

sale.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified

as controlled firearms, are subject to the UK firearms/shotgun

licencing regime, and should only be viewed/purchased by

individuals with appropriate licences. It is the responsibility of the

bidders to ensure that they are legally authorised to acquire the

lot that they are bidding for. In the event that such a lot is

successfully bid for by an individual who is not authorised to

possess it, that individual will be required to pay for it, but will

not be allowed to take physical possession of it. The auctioneers

will re­offer the lot on behalf of the buyer in a future auction;

or may accept instructions to dispose of it by some other legal

means, at their discretion.

第148页

ROYAL INSTITUTION OF CHARTERED SURVEYORS

CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers,

particularly those inexperienced or new to our salerooms. All sales are conducted

on our printed Conditions of Sale which are readily available for inspection and

normally accompany catalogues. Our staff will be happy to help you if there is

anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity,

for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your

primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be

involved for the purchase of a particular lot. The lower estimate may represent the

reserve price and certainly will not be below it. Estimates do not include the Buyer’s

Premium or VAT (where chargeable). Estimates are prepared some time before the sale

and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium

thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000

and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on

the hammer price as well as being an element in the buyer’s premium. This imposition

of VAT is likely to be because the seller is registered for VAT within the European Union

and is not operating the Dealers Margin Scheme or because VAT is due at 20% on

importation into the UK. The omega symbol (Ω) indicates that the lot has been

imported from outside the European Union and the present position is that these lots

are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer

price and the buyer’s premium). Lots which appear without either of the above symbols

indicate that no VAT is payable on the hammer price. This is because such lots are sold

using the Auctioneers’ Margin Scheme and it should be noted that the VAT included

within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided

by the seller and whilst we may inspect lots and act reasonably in taking a general

view about them we are normally unable to carry out a detailed or any examination

of lots in order to ascertain their condition in the way in which it would be wise for

a buyer to do. Intending buyers have ample opportunity for inspection of goods and,

therefore, accept responsibility for inspecting and investigating lots in which they

may be interested. Please note carefully the exclusion of liability for the condition of

lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers,

accept any responsibility for their condition. In particular, mechanical objects of any

age are not guaranteed to be in working order. However, in so far as we have

examined the goods and make a representation about their condition, we shall be

liable for any defect which that examination ought to have revealed to the auctioneer

but which would not have been revealed to the buyer had the buyer examined the

goods. Additionally, in specified circumstances lots misdescribed because they are

‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time

limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be

checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether

an export licence is required for the goods to leave the U.K. and (b) whether there

is any specific prohibition on importing the goods in question into the destination

country because, e.g. they may contain prohibited materials such as ivory. Charges

may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the

sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots

will be invoiced to the name and address on the registration form. Some form of

identification will be required if you are unknown to us. Please enquire in advance

about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating

the maximum amount to be bid excluding buyers’ premium. They will be executed

as cheaply as possible having regard to the reserve (if any) and competing bids. If

two buyers submit identical commission bids the auctioneers may prefer the first

bid received. Please enquire in advance about our arrangements for the leaving

of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be

cleared before removal of the goods is permitted. Please discuss with our Office

in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about

collection and storage. It is important that goods are paid for and collected

promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if

the consignment of goods to us is made by an agent we assume that the Seller has

authorised the consignment and that the consignor has the Seller’s authority to

contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold

for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated

deadline and at your expense. We may be able to assist you with this process but

any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of

insurance to clients. However, we for our own protection assume liability for

property consigned to us at lower pre­sale estimate. To justify accepting liability,

we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid

estimate of the hammer price. If the owner of goods consigned instructs us in

writing not to take such action, they then remain at owner’s risk unless and until

the property in them passes to the Buyer or they are collected by or on behalf of

the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the

lot should be illustrated your permission will usually be asked first. The copyright in

respect of such illustrations shall be the property of us, the auctioneers, as is the

text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve

agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale

proceeds as you would have received had the reserve been the hammer price. If

you specifically give us ‘discretion’ we may accept a bid of up to 10% below the

formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being

the minimum hammer price at which that lot may be sold. Reserves must be

reasonable and we may decline to offer goods which in our opinion would be

subject to an unreasonably high reserve (in which case goods carry the storage

and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to

the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such

items are accepted for sale you accept responsibility for the cost of testing by

external contractors. Goods not certified as safe by an electrician (unless antiques)

will not be accepted for sale. They must be removed at your expense on your being

notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in

the interests of fire safety. Goods found to infringe safety regulations will not be

offered and must be removed at your expense. We reserve the right to dispose of

unsafe goods as refuse, at your expense. The rights of disposal referred to in clause

8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act

1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc.

of goods where this is relevant. There is strict liability for the accuracy of

descriptions under modern consumer legislation and in some circumstances

responsibility lies with sellers if inaccuracies occur. We will assume that you have

approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate

forgery under Condition 15 of the Conditions of Sale and we have accounted to

you for the proceeds of sale you agree to reimburse us the sale proceeds. The

liability to reimburse the sale proceeds shall not arise where you are acting

reasonably and honestly and are unaware of the forgery but we are or ought to

have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must

collect such items from the saleroom promptly on being so informed. Otherwise,

storage charges may be incurred. We reserve the right to charge for storage in

these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10%

plus VAT of the reserve or low estimate on being bought in or withdrawn after

being catalogued.

第149页

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner

or agent for the owner. You undertake to compensate us and any buyer or third

party for all losses liabilities and expenses incurred in respect of and as a result of

any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred

for your account from the hammer price and consent to our right to retain

beneficially the premium paid by the buyer in accordance with our Conditions of

Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later

than the close of business on the day of the sale in the case of lots unsold at

auction, in which case the same charges will be payable as if such lots had been

sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without

sufficient sale instructions and reserve the right to make minimum warehousing

charge of £2 per lot per day. Unsold lots are subject to the same charges if you

do not remove them within a reasonable time of notification. If not removed within

three weeks we reserve the right to sell them and defray charges from any net

proceeds of sale or at your expense to consign them to the local authority for

disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by

BACS or cheque 5 weeks after the sale unless the buyer has not paid for the

goods. In this case no settlement will then be made but we will take your

instructions in the light of our Conditions of Sale. You authorise any sums owed

by you to us on other transactions to be deducted from the sale proceeds. You

must note the liability to reimburse the proceeds of sale to us as under the

circumstances provided for in Condition 10 above. You should therefore bear this

potential liability in mind before parting with the proceeds of sale until the expiry

of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers

and all those present in the auction room prior to or in connection with a sale on

the following General Conditions and on such other terms, conditions and notices

as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised

auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to

authorship, origin, date, age, period, culture or source but which is unequivocally

described in the catalogue as being the work of a particular creator and which at

the date of the sale had a value materially less than it would have had if it had been

in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when

the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on

which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers

or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with

any premium, Value Added Tax chargeable and any additional charges payable by

a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of

the lot sold less commission at the stated rate, Value Added Tax chargeable and

any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any

security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall

be the buyer at the hammer price and any dispute about a bid shall be settled at

the auctioneer’s absolute discretion by reoffering the Lot during the course of the

auction or otherwise. The auctioneer shall act reasonably in exercising this

discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of

any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26%

plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT

@20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a

† or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the

date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information

for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from

you to us on any account whatever without regard to any directions of you or your

agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the

source of any funds received by us. The completion of the sale of a Lot will be

postponed or cancelled at our discretion if further time is needed for investigation,

or if you are in breach of your warranties as a buyer, or if we consider the sale to

be unlawful or in any way cause liabilities or be detrimental to either Woolley and

Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made

payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased

and paid for from our premises not later than 3 working days following the day of

the auction or upon the clearance of any cheque used for payment (if later) after

which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent

until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions

or if there is any other breach of these Conditions, we, as agent for the seller and

on our own behalf, shall at our absolute discretion and without prejudice to any

other rights we may have, be entitled to exercise one or more of the following

rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible

for any resulting deficiency in the total amount due (after crediting any part

payment and adding any resale costs). Any surplus so arising shall belong to the

seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage,

either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount

due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose

conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you

towards the settlement of the total amount due and to exercise a lien (that is a

right to retain possession of any of your property in our possession for any purpose

until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and

remedies only so far as is reasonable to make appropriate recovery in respect of

breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the

lay­out of the accommodation and security arrangements. Accordingly neither the

auctioneer nor our employees or agents shall incur liability for death or personal injury

(except as required by law by reason of our negligence) or similarly for the safety of the

property of persons visiting prior to or at a sale.

第150页

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are

always responsible for any decision to bid for a particular lot and shall be assumed

to have carefully inspected and satisfied themselves as to its condition, we will if

so instructed clearly and in writing execute bids on their behalf. Neither the

auctioneer nor our employees or agents shall be responsible for any failure to do

so save where such failure is unreasonable. Where two or more commission bids

at the same level are recorded we reserve the right in our absolute discretion to

prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of

the property consigned or is properly authorised by the true owner to consign it

for sale and is able to transfer good and marketable title to the property free from

any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for

default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these

Conditions in their entirety and on the Terms of Consignment as notified to the

consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out

exhaustive due diligence on each lot. Prospective buyers are given ample opportunities

to view and inspect before any sale and they (and any independent experts on their

behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or

statements by us as to authorship, genuineness, origin, date, age, provenance, condition

or estimated selling price involve matters of opinion. We undertake that any such

opinion shall be honestly and reasonably held and accept liability for opinions given

negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our

employees or agents nor the seller accept liability for the correctness of such opinions

and all conditions and warranties, whether relating to description, condition or quality

of lots, express, implied or statutory, are hereby excluded. This Condition is subject to

the next following Condition concerning deliberate forgeries and applies save as

provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by

auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate

forgery (as defined) may be returned to us by you within 21 days of the auction

provided it is in the same condition as when bought, and is accompanied by

particulars identifying it from the relevant catalogue description and a written

statement of defects. If we are satisfied from the evidence presented that the lot

is a deliberate forgery we shall refund the money paid by you for the lot including

any buyer’s premium provided that (1) if the catalogue description reflected the

accepted view of scholars and experts as at the date of sale or (2) you personally

are not able to transfer a good and marketable title to us, you shall have no rights

under this condition. The right of return provided by this Condition is additional

to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or

attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect

of and as a result of any breach of these Conditions and any exclusions

provided by them shall be available to the seller and/or the auctioneer as

appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit

of employees and agents of the seller and/or the auctioneer who may themselves

enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or

Swiftmail in which case it shall be deemed to have been received by the addressee

48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items

in which case the descriptions must be interpreted in accordance with any glossary

appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict

terms of these Conditions or of the Terms of Consignment shall affect the position

at the relevant time only and in respect of that particular concession only; in all other

respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use

of any images, illustrations and written materials produced by or for Woolley &

Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for

any of the aforementioned will remain the property of Woolley & Wallis, subject

to the provisions of the Copyright, Designs and Patents Act 1988. Woolley &

Wallis and the seller make no representations or warranties that the buyer of a

lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms

used in descriptions in the Catalogue have the meanings ascribed to them in the

glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and

condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon

any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is

not known, a series of asterisks, followed by the surname of the artist, whether

preceded by an initial or not, indicates that in our opinion the work is by the artist

named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less

certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of

the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct

hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in

the artist’s style, contemporary or nearly contemporary, but not necessarily his

pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a

later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the

signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion

the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration,

the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the

time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements,

damage in respect of bindings, stains, spotting, marginal tears or other defects not

affecting completeness of text or illustration; nor to drawings, autographs, letters or

manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not

identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a

work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s

death.

Royalties are calculated on a sliding percentage scale based on the hammer price

excluding the buyer’s premium. The royalty does not apply to lots selling below the

sterling equivalent of £1,000 and the maximum royalty payable on any single lot is

the sterling equivalent of £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price

and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

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